n the
Shadow of Hollywood: Race Movies and the Birth of Black Cinema":
In 2007 I had the opportunity to consult on and appear in this
fascinating documentary which documents the "Race Film era". This documentary
provides the viewer with the sounds
and images of a nearly-forgotten era in American film history. A
period when African American
filmmakers and studios created “Race Films”, films made exclusively for
African American
audiences, shown in African American movie houses. The best of these films attempted to
counter the demeaning stereotypes of African Americans prevalent in the
popular culture of the day. About
500 films were produced, yet only about 100 still exist. Filmmaking pioneers
like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a
lasting influence on African American filmmakers, and inspired generations of audiences
who finally saw their own lives reflected on the silver screen. 2007/BW/COLOR Bonus
Feature: 1939 Short staring Clarence Muse: "Broken Earth"
$19.95
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"AFRICAN AMERICAN NEWSREELS"
These are Newsreels from 1945 - 1950s produced for
African Americans audiences by "All-American Newsreels" and "Byline Newsreel".
Also included are short-subjects: "Negro in Sports; Negro in
Entertainment and Negro in Industry". BW/90mins.
$15.00 $10.00
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"ANNA
LUCASTA":
Eartha Kitt turns in
a vivacious and sexy performance as a young prostitute who, after being
disowned by her iron-handed father, returns home to an arranged marriage to
a wealthy suitor. But Kitt ruins her scheming brother-in-law's plan to bilk
her new husband when she actually starts to fall in love with him. Frederick
O'Neal, Henry Scott and Sammy Davis, Jr. Co-star in this powerful drama
based on the play by Philip Yordan. 97 min. Widescreen; Cast: Alvin Childress, Sammy Davis Jr., James Edwards, Rex Ingram, Eartha
Kitt. 1959 /DVD $15.00
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"BAND
OF ANGELS" After she learns she is of African lineage, the
penniless daughter (Yvonne De Carlo) of a once-prosperous Kentucky family is
sold as a slave to a New Orleans millionaire (Clark Gable) and soon becomes
his mistress. When the Civil War erupts, Gable is threatened by one of his
former slaves (Sidney Poitier) who has joined the Union army. With Rex
Reason, Efrem Zimbalist, Jr.; Raoul Walsh directs.
Cast:
Raymond Bailey,
Yvonne De Carlo,
Clark Gable,
Andrea King,
Patrick Knowles,
Tommie Moore,
Sidney Poitier,
Rex Reason,
Ray Teal,
Torin Thatcher,
Efrem Zimbalist Jr.
1957/127min./BW/ DVD $19.95
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"BEALE
STREET MAMA": -
July Jones and Spencer Williams
- A street cleaner and friend find some stolen money which they use to
establish themselves in the good life. They are found out and end up losing
everything.
1946/BW/60mins.
$19.95 $15.00
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"BEWARE / JIVIN IN BE-BOP" $10.00 Beware (1946):
Ware College is about to close its doors forever because its endowment has run
dry. A last minute appeal to famous alumni brings the college's plight to the
attention of Louis Jordan. Jordan, known as King of the Jukebox, set things
right by hounding the good-for-nothing grandson of Ware College's founder into
spending his fortune on education rather than fast living. Beware features
over a half dozen numbers by jazz great Louis Jordan and his Tympany Five.
Starring Louis Jordon and his Tympany Five, Frank Wilson, Emory Richardson,
Valerie Black, Milton Woods, Joseph Hilliard, Tommy Hix, Dimples Daniels;
Produced and Directed by Bud Pollard.
Jivin' In Be-Bop (1946, ): Dizzy Gillespie
takes center stage and hosts an old time variety show from the "Chitlin
Circuit" captured in its entirety. Jivin' in Be Bop features one smash
show-stopping tune after another performed by Dizzy and His Orchestra
intermingled with hilarious vaudeville routines. Starring Dizzy Gillispie and
His Orchestra, Helen Humes, Ray Sneed Sanji, Freddie Carter and Ralph Brown;
Directed by Leonard Anderson and Spencer Williams; Screenplay by Powell
Lindsay; Produced by William D. Anderson.
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"BLACK
KING, The / JUNCTION 88" DVD $10.00 Black
King: The Reverend Charcoal Johnson fires up his congregation with his "Back to
Africa" scam. He even manages to turn the eye of beautiful young Mary Lou,
with outrageous promises to make her the Queen of Africa when they reach the
Dark Continent. A biting satire based on the real-life "Back to Africa"
crusade of Marcus Garvey. 1932/BW/ 60min. "Junction 88": In the sleepy town of Junction 88, young Buster Jenkins
dreams of song writing stardom. Featuring lively music from a talented cast
that includes bandleader Noble Sissle, and a comical performance by Pigmeat
Markham, Junction 88 is a jumpin' jive musical from the later years of
all-Black cinema. Starring Pigmeat Markham, Bob Howard, Nobel Sissle, Wyatt
Clark, Marie Cooke, Augustus Smith and Abbey Mitchell . 1947/BW 60min. $10.00
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"BIRMINGHAM BLACK BOTTOM":
The
first All Black "talkies". Produced by the Christie Company, this
DVD
contains four shorts:
"Music Hath Harms"
Roscoe Griggers (Spencer Williams) puts himself
forward as a great musician who really he can't play at all and just leads a
band. He is offered a large amount of money to perform himself so arranges
with a band member to play for him under the stage while he mimes. His rivals
get wind of this and stop his friend from playing.
"The Melancholy Dame"
1929 - Spencer Williams. The story relates
the troubles of "Permanent Williams," darktown cabaret owner, who is forced to
hire his divorced wife and her new husband as entertainers. His second wife
doesn't relish the fact.,
"Framing of the Shrew"
1929 - An obstreperous wife (Preer) is tamed and trained by her smaller
but wily husband. Evelyn Preer, Spencer Williams, Roberta Hyson, Edward
Thompson.
"Oft In The Silly Night."
1929 - Romance blossoms between a Black
chauffeur and the boss's daughter. Spencer Williams, Evelyn Preer, Edward
Thompson.
1925/BW/60mins..
$19.95
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"BIRTH
OF A RACE": Released in 1919,
Birth of a Race was directed by John W.
Noble and produced by Emmett J. Scott. Emmett Scott had acted as personal
secretary to Booker T. Washington prior to Washington's death in 1915. The
production is documented as having received support from both Washington and
his Tuskegee Institute. The film began shooting in Tampa, Florida in 1913.
Though this clearly predates the production of
Birth of a Nation, Dixon's novel "The Clansmen" had been adapted to the
stage and as early as 1910 had been the recipient of protest.
Birth of the Race did not receive the attention anticipated by its
makers, yet neither was it the only film to directly counter Griffith's in
these early days of the Race Film industry.
BW/Silent/1919 $19.95
$15.00 [NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"BIRTH OF A NATION": Based on a play called "The Clansmen," D.W. Griffith's three-hour Civil War
epic traces the development of the Civil War itself, the assassination of
Abraham Lincoln and the rise of the Ku Klux Klan through the lives of two
families. After The Birth of a Nation,
nothing was the same!!!! What has become
increasingly problematic about The Birth of a Nation is Griffith's
condescending attitude toward Black slaves, and the ringing excitement
surrounding the founding of the Ku Klux Klan. Griffith, whose political ideas
were naive at best, seemed genuinely surprised by the criticism of his
masterwork, and for his next project he turned to the humanist preaching of
the massive Intolerance. Despite protests, Birth sold more tickets than any
other movie, a record that stood for decades, and President Woodrow Wilson
compared it to "history written in lightning." I
only offer this film for historical comparison with films made by Black
filmmakers $6.95
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"EARLY
BLACK ENTERTAINMENT IN FILM":
Race films, or "black-cast films", as they became known in the 1940s and 50s,
were produced for black audiences and played in segregated theaters, churches,
and were even projected on the side of barn walls. What is traditionally thought
of as race films--movies produced by blacks for blacks--got started in the early
1900s with films like The Lincoln Motion Picture Company's The Realization of
the Negro's Ambition (1916) and Oscar Micheaux's The Homesteader
(1918); but films with either black people or white people in blackface date
back to 1895. Black Entertainment in Film is a three-disc set that features 13
of the over 1300 race and black-cast films that were produced from before the
turn of the century all the way up to 1959.
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Blacks in Film: This first disc features four seminal films, and one
short documentary about black-cast films. Race Movies: The Popular Art
of the Black Renaissance is Thomas Cripps' 20-minute documentary
that attempts to explain the history of race films. Those that know nothing
about these films will learn a lesson or two, but ultimately this is
disappointing documentary. Boy! What a Girl! (1947) is a
musical that mixes comedy and drama in what is in many ways the typical
black-cast film of the 1940s. The familiar plot finds two small-time
producers trying to raise the money to put on their new show and pay the
rent. Tim Moore, best known as Kingfish on Amos & Andy, steals the show in a
cross-dressing performance. Not all race films were made by black
filmmakers, some were made by Poverty Row producers and directors like Edgar
G. Ulmer, whose Moon Over Harlem (1939) is a quickly-made,
down-and-dirty production more memorable for its cast of legendary jazz
musicians than its thread-bare story or production values. Oscar Micheaux
made 42 films between 1919 and 1948, many of which he distributed himself,
driving cross-country with film reels in the trunk of his car. Micheaux's
God's Stepchildren (1938) tackles the same issues of race and
racial identity that many of his other films did. Though Micheaux was a
prolific filmmaker and a savvy businessman, he was not a very good
filmmaker. Of the films of his that have survived, this is one of the best,
but it is not particularly good. Second only to Micheaux, Spencer Williams
was arguably the most prolific and important player in the world of race
films. He directed twelve films, including his debut, Blood of Jesus
(1941), but he is best known as an actor, and for having played Andy on Amos
& Andy. Like a vast majority of the films of this era, Blood of Jesus
suffers from low budget production values and frequent bad acting, but it is
notable for its soundtrack (as are many other race films).
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Jazz performer Herb Jeffries became a matinee idol for the segregated black
audiences of the 1930s when he starred in four westerns between 1937 and 1939.
Bronze Buckaroo (1939) was Jeffries' third western, and the second
in which he played Bob Blake, the heroic singing cowboy who must save the day
when his friend Joe (Spencer Williams) mysteriously disappears. Harlem
Rides the Range (1939) was Jeffries' last western, and finds him once
again reprising his role as Bob Blake, who is caught in a race to find hidden
treasure on the ranch of Watson (Spencer Williams, who co-wrote the script).
Two-Gun Man from Harlem (1938) was Jeffries' debut as Bob Blake (but
his second western), who must clear his name when he is accused of murder. As
westerns go, none of Jeffries' films are all that great, but they all do have
great musical performances by Jeffries and the Four Tones. The only non-Herb
Jeffries film of this disc is Look-Out Sister (1947), starring and
directed by famed band leader Louis Jordan, who basically plays himself, only as
a gunslinger (in a fantasy).
Disc 3 - Black Musicals:
Once sound came in to play in motion pictures, race films found a secret
ingredient that would be used in vast majority of every film produced for black
audiences--musical performances. Many race and black-cast films were not very
good. Nearly all suffered from extremely low budgets, with bad acting, bad
stories and overall bad filmmaking. But the one thing that was almost always
exceptional was the musical numbers by notable jazz and big band performers of
the day. As a result, a lot of bad films have great musical numbers (as well as
dance and comedy performances) that make up for rest of the film. In fact, many
movies were just excuses to capture on film the performances audiences in bigger
cities could see live. That said, the best race films--as in the most
consistently entertaining--are almost always the musicals, as these are the ones
that offer the most of what was best about the black-cast films. Hi De Ho
(1947) is not a great film by any stretch of the imagination, but it can't be
beat when it comes to performances by lead actor Cab Calloway (playing himself),
or the performance by the Miller Brothers. One of the only musicals by Oscar
Micheaux, Swing! (1937) is a perfect example of the problems to be
found in race films--ranging from production value to acting--and the treasures
to be found in terms of musical performances. Carman Newsome, one of Micheaux's
regular leading men, stars as a producer trying to put on a show on Broadway.
The movie is forgettable, but performances like that of the Tyler Twins are
priceless. The Duke is Tops is notable for two things; first and
foremost is the incomparable Lena Horne, who made her film debut in this tale of
a singer trying to make a name for herself. Horne, of course, is remembered for
being a singer and performer of legendary beauty and talent. But the other
notable element of this film is not so well remembered, and that is lead actor
Ralph Cooper. Often referred to as "Dark Gable," Cooper was the race film's
answer to Hollywood superstar Clark Gable, and played a pivotal role in the
success of many black-cast films. Louis Jordan returns (as an actor) in
Beware! (1948) in yet another film with a forgettable plot and great
musical numbers, most courtesy of Jordan and his band Tympani Five.
BW/747MINS.
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"BLACK
SHADOWS ON A SILVER SCREEN":
Ossie Davis Narrates this motion picture history of African American's
involvement in American cinema between 1900 - 1950. This documentary is
complete with scenes from films depicting positive and negative Black images.
Contributions of Black filmmakers like Oscar Micheaux illustrate the rugged path
trod by Black producers and actors. Highlighted are the careers of Paul Robeson,
Josephine Baker, Fredi Washington. .(1975) - The motion picture
history of Black involvement in American films, with scenes from films depicting
positive and negative Black images. Contributions of Black filmmakers like Oscar
Micheaux illustrate the rugged path trod by Black producers and actors.
Highlighted are the careers of Paul Robeson, Josephine Baker, Fredi Washington
with narration by Ossie Davis. Documentary, 55min 1975/ BW-Color/55 min.,
$15.00
$10.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"BOARDING HOUSE BLUES":
This film stars the great Jackie "Moms" Mabley. Born
Loretta Mary Aiken in 1894, acting as Jackie Mabley, better known as "Moms,"
she made a career of spinning hardship into comic gold with her pioneering
comedic routine into race relations, feminist and lesbian issues, "Moms"
Mabley is best remembered for her classic comedy albums recorded for Chess
Records and her appearance in the feature film Amazing Grace (1974) which was
her last film. Plot: "Moms" can't pay the note
on her rooming house for entertainers. John Mason & Company, Johnny Lee
Jr., Dusty Fletcher, Marcellus Wilson, Marie Cooke, Emery Richardson, James
Cross & Harold Cromer (Stump & Stumpy), Sidney Easton, Freddie Robinson, J.
Augustus Smith, Edgar Martin, John Piano, Lucky Millinder & his Orchestra, Una
Mae Carlisle, Bull Moose Jackson, Berry Brothers, Lewis & White, Anistine Allen,
Paul Breckenridge, Lee Norman Trio & "Crip" Heard (one-armed and
one-legged dancer.) The entertainers get together and hold a "rent party. $10.00

The
first act on stage is billed here as "Crip" Heard, a one-arm, one-legged
dancer who in the following decade would prefer to be billed as Herbert
"Henry" Heard. he gives a very smooth performance & despite the "freak show"
element, it's very cool. Stump & Stumpy were a great comedy team, consisting
of the rather short James "Stump" Cross & the very short Eddie
"Stumpy" Hartman. They were all-round entertainers, jazz singers,
tap dancers,
& funnymen extraordinaire. the comedy team of Lewis & White. They were a
"round the world" chitlin circuit regulars since the 1920s, playing
everywhere from the Apollo in Harlem to the Orpheum in Seattle
The
final act is Lucky Millinder's orchestra, a full reel to himself.
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$10.00
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"BODY AND SOUL": An extremely
rare film that marks the acting debut of Robeson in this Oscar Micheaux
directed silent film. Robeson is caste in dual roles: as a corrupt preacher
and his good brother. This is the story of a minister gone corrupt who
associates with the owner of a house of gambling, from whom he extorts money.
He forces a girl of his church to steal her mother's savings and leave home.
He later kills the girl's brother, when the brother attempts to rescue the
girl. But, when its all said and done it's only a dream. Required to give a balance to his theme by the New York Censors,
Micheaux changed the preacher's role so that he is preacher, then detective,
then finally an uplift bourgeois future husband for the heroine.
1925/BW/Silent/60mins..
DVD $10.00
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"BORDERLINE":
"RARE" Paul Robeson film, also featuring his
wife Eslanda Robeson, PLOT: Adah [Eslanda], a Black
woman, has an affair with Thorne, a white man, much to the dismay of some of the
prejudiced townsfolk and Thorne's wife, Astrid. Adah [Eslanda] attempts a
reconciliation with her man, Pete [Robeson], but eventually leaves him and the
town. Meanwhile, Astrid goes mad and cuts Thorne's face and arm with a knife, then mysteriously dies. Thorne is tried but acquitted. Meanwhile, Pete is
subjected to racist comments from Astrid and an old lady. After the death of
Astrid, these racist feelings lead to Pete being treated as an outcast. Because
of the events, the mayor sends Pete [Robeson] a letter asking him to leave town
for the good of all concerned. 1930/BW/Silent
filmed
by Brits in Switzerland. It's an independent silent film production funded by a
group of white intellectuals, as a commentary against racism.
$19.95
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"BOY,
WHAT GIRL! / MURDER
ON LENOX AVENUE":
Boy, What A Girl: Two
smooth-talking producers are trying to raise money for their musical review.
They line up a potential backer who will put up half the cash if they can find
someone else to Co-finance the production. The duo enlist the services of a
cigar-smoking cross-dresser named "Bumpsie" (Tim Moore), who poses as the wealthy "Madame
Deborah" to fool the backer. Their scheme goes smoothly - until the real
Madame shows up! Madness and mayhem mix with jam sessions at a Harlem roof
party where legendary drummer Gene Krupa performs a surprise drum solo. Famous
Black entertainers include Big Sid Catlett and his band, The Slam Stewart
Trio, Deek Watson and The Brown Dots, and The International Jitterbugs. Tim
Moore is known to millions of fans as George "Kingfish" Stevens, of the
extremely popular "Amos 'n' Andy" television show (1951-1953). He played in
musical revues on Broadway and in Europe before embarking on a movie career
that includes His Great Chance (1923) and Darktown Revue (1931). Moore had
already retired from 50 years of performing when he was cast as "Kingfish." Murder on Lenox Avenue: A
promoter in Harlem forms a Better Business League, but is kicked out after
being accused of mismanagement. They replace him with Pa, a respected man in
the community. Ola, Pa's daughter, is in love with a teacher, but Pa wants her
to marry Jim (Ernie Ransom) who is loved by Mercedes. Ola marries the teacher
and moves down south. Meanwhile, the former League president plots to get even
with Pa. He gets Jim to plant a bomb in the hall where Pa will be speaking.
The bomb is discovered and removed, but Ola reads of the threat and returns
from the south. Ola arrives at the hall while her father is giving a speech
denouncing the attempt on his life. As a last desperate attempt to regain
power, one of the conspirators tries to shoot Pa, but co-conspirator Jim steps
in the way of the bullet and is killed. 1941/BW/60mins.
$10.00
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"BRIGHT ROAD" Based
on an award-winning short story by
Mary Elizabeth Vroman,
the film is largely set at a rural Black school in an unspecified Southern
community. An idealistic new fourth-grade teacher Jane Richards (Dorothy
Dandridge) makes it her mission in
life to "reach" troublesome failing student C. T. Young (Philip
Hepburn). Just when Jane and the boy
are making progress, tragedy strikes, plunging C. T. into the depths of
depression and defeatism. With the help of the school's compassionate
principal (Harry
Belafonte), Jane is able to get C.
T. back on the right track—and as a bonus, the boy becomes an unexpected hero
in a moment of crisis. Handled in a leisurely, understated fashion,
MGM shed its glamorous image and bucked conventional wisdom when it
financed Bright Road, a low-budget 1953 drama with an almost
all-black cast. Even as an African-American film, Bright Road was an
anomaly for the period, being neither a musical nor a treatment of racial
issues. Instead it was a simple story of a rural teacher in an unnamed
southern school trying to reach a problem child. Yet its quiet daring has
earned it a faithful fan following, particularly in light of the starring
performances of Dorothy Dandridge and Harry Belafonte before they became
major stars.
Bright Road was adapted from a Christopher Award-winning story by
West Indian schoolteacherBW-69m.
$25.00 $19.95
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"BRONZE BUCKAROO/
JUKE JOINT/GO DOWN DEATH/
BLOOD OF JESUS":
Bronze Buckaroo: Herb Jeffries, Lucius
Brooks, Artie Young and Spencer Williams, Jr. are cowpokes who avenge the
death of a friend's father.
1937/BW/60min
Juke Joint: Directed by & stars Spencer Williams, Jr. with July
Jones. A drama about a pair of drifters who try to repay their landladies
kindness by rescuing her daughter from slick talking man. 1947/BW/70mins. Blood of Jesus:
Written and starring Spencer William's, Jr. A sinful husband accidentally
kills his newly baptized wife. 1941/BW/45mins. Go Down Death:
Folk-like drama, strong on religion. Minister try's to close down clubs on
Sunday, but one club owner retaliates. He takes pre-arranged photos of the
Minister in a compromising position, to black mail him. One of the ministers
church members knows what really happened and she also happened to be the
woman who raised the corrupt club owner (Spencer Williams). When compromising
photos are safely locked away by club owner, his dead father's ghost leads
women to photos. While removing photos she's discovered by Spencer Williams, a
struggle ensues which results in her death. After attending funeral, burial
and church services, the club owner is haunted and taunted mentally by voices
of guilt, until he goes crazy. Film ends with scenes of Hell as depicted from
"Dante's Inferno", sucking in the corrupt club owner. 1945/BW/50 Minutes
$10.00 $7.50
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"BROKEN
STRINGS /GANG WAR" "Broken Strings": Co-scripted and starring Clarence Muse with
Sybil Lewis, William Washington. A classical violinist injures his fingers.
The son becomes a violinist to earn the needed cash to restore his father's
paralyzed hand. Much to his father's dismay, the son plays swing instead of
classical music. 60 minutes.. This musical drama is loosely based on the film
"The Jazz Singer." 1940/BW/60mins. "Gang War" (1940) Plot:
War rages among New York mobsters over the profits from jukeboxes. Director:
Leo C. Popkin. Cast: Ralph Cooper, Gladys Snyder, Reginald Fenderson, Laurence
Criner, Monte Hawley, Ernest "Sunshine Sammy" Morrison. 1940/BW/54mins
$10.00
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"BURLESQUE IN HARLEM / PARADISE IN HARLEM": Paradise in
Harlem: Black comic Lem Anderson is weary of doing his minstrel comedy on
the vaudeville circuit. He dreams of becoming a serious stage actor and
playing the lead in Shakespeare's Othello. As distant as this dream seems, it
recedes even further when Lem witnesses a mob hit outside the theater. Forced
to leave town or face death, Lem heads down south to find work, but his
personal demons and a drinking habit bring this new life to ruin as well. Just
as all seems lost, his impossible dream comes true when he is called back to
New York to star in Othello. When the mobsters learn that he has returned to
town, they resolve to silence him for good. 1939/BW/60min Burlesque
in Harlem: A provocative peek at a typical Harlem burlesque show, complete
with racy slapstick comedy, bawdy blues singers, slick tap dancers, and
voluptuous exotic showgirls in minimal attire. Legendary black comic, Pigmeat
Markham, makes an appearance in a clever, fast-talking sketch about a sex
clinic. Though tame by contemporary standards, these acts were definitely
considered to be "adult entertainment" at the time. Burlesque in Harlem is a
fascinating look at how society's mores have changed in the last half
century.1949
DVD $10.00
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"CABIN IN THE SKY": Glossy All-Black MGM musical with Eddie
"Rochester" Anderson as a gambler whose soul becomes the prize in a
contest between God and the Devil. Lena Horne, Ethel Waters, Rex Ingram,
Louis Armstrong and Duke Ellington are featured; Vincente Minnelli's first
directing assignment. Songs include "Shine," "Happiness Is a Thing Called
Joe," "Li'l Black Sheep," more. 98 min.1943/BW/ Audio
commentary; theatrical trailer; bonus short "Studio Visit" (1946).
Category:
Musicals Director:
Vincente Minnelli
Cast:
Eddie 'Rochester' Anderson,
Louis Armstrong,
Bill Bailey,
Willie Best,
Lena Horne,
Rex Ingram,
Butterfly McQueen,
Mantan Moreland,
Oscar Polk,
Kenneth Spencer,
Ethel Waters
DVD $19.95
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"CARMEN JONES"
In
1943,
Oscar Hammerstein Jr. took Georges Bizet's opera
Carmen,
rewrote the lyrics, changed the characters from 19th century Spaniards to
World War II-era African-Americans, switched the locale to a Southern
military base, and the result was
Carmen
Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of
a parachute factory Oscar Hammerstein
It's All-Black revision of Bizet's "Carmen," brought to the screen by Otto
Preminger. Showcases Harry Belafonte as a handsome soldier whose love for
sexy, conniving Dorothy Dandridge leads him to murder. Pearl Bailey, Olga
James and Diahann Carroll also star in this classic.
1954/BW/105mins/ $10.00
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 "A
COLORED LIFE": The Herb Jeffries Story, is a fascinating
portrait of America s first "Black" singing Cowboy. Now 96-year-old Herb
Jeffries has lived a legendary life. Star of such films as The Bronze
Buckaroo, singer with Duke Ellington's band, TV personality, ladies man
and accidental activist, the light-skinned Jeffries has struggled with
his racial identity for nearly a century. A Colored Life is an honest,
entertaining, and often humorous look at a charismatic personality who
used his light complexion to survive--and thrive--in both the Black and
white worlds. $19.95
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" DARK MANHATTAN / /UNDERWORLD" Dark Manhattan On
the tough back streets of Harlem, thugs and crooks fight for control of the
numbers racket. One small time hood, "Curly" Thorpe, is enlisted by the
biggest mob boss in town, Larry B. Lee, to be his protégé.
Curly takes over the operation, bringing a new level of brutality and greed
to Lennox Avenue. Beautiful women, fast cars and hard cash are all that
Curly cares about, but he steps on the wrong toes to get them. Tougher men
than Curly now want him dead. Starring Ralph Cooper, Cleo Herndon,
Clarence Brooks, Jess Lee Brooks; Directed by Harry L. Fraser.
1937/BW/60mins. Underworld: Directed by Oscar Micheaux
Paul Bronson lusts after the decadent world of nightclubs and casinos.
His strongest desires are reserved for the dangerously voluptuous Dinah
Jackson, but this beautiful temptress is really the "property" of mob boss
LeRoy Giles. When jealous LeRoy gets wind of Dinah's cheating, he cuts off
her money and kicks her out. An angry Dinah has LeRoy shot, and suspicion
falls on Paul. Dinah is Paul's only alibi - and his only hope of avoiding a
long walk down death row. Starring Sol Johnson, Bee Freeman, "Slick"
Chester, Ethel Moses, Oscar Polk; 1937/ BW/63mins.
$10.00
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"DEVIL's DAUGHTER,
The
[AKA: "Pocomania."] (1939) / CHLOE, LOVE IS CALLING (1934)":
"The Devil's Daughter,"
Nina Mae McKinney essays the title role of a phony voodoo high priestess in
Haiti who clashes with her half-sister over their late father's banana
plantation. With Ida James, Jack Carter and Hamtree Harrington. 114 min.
total. Drama
Director: Marshall Neilan Cast: Olive Borden, Reed Howes, Molly O'Day, Philip
Ober : NR B&W
"Chloe", Love Is Calling"
follows the child of a Black voodoo mistress from the Everglades as she
discovers that she may really be the daughter of a white plantation owner.
Taboo in its time for its depiction of interracial romance, this atmospheric
drama stars Olive Borden, Reed Howes and Molly O'Day.
$10.00
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"DECKS RAN RED, The:
Very hard to find, - In this sea-going suspense drama, Edwin Rumill
(James Mason) is the former first mate of an ocean liner who leaps at the
chance to have a vessel under his full command. However, the S.S. Berwind is
no ship to write home about, a freighter from the mothball fleet whose captain
has recently died. The crew is often ill-tempered, and Mahia (Dorothy
Dandridge), the wife of the ship's cook, doesn't make anyone
more comfortable with her flirtatious nature. Rumill learns that the bad
attitude of his crew has a sinister undercurrent: two of the hands, Leroy
Martin (Stuart Whitman) and Henry Scott (Broderick Crawford), have hatched a
scheme to murder Rumill and the rest of the crew, bring in the ship as
salvage, and sell it to the highest bidder, expecting to earn close to a
million dollars. Rumill must rally support if he and the other men hope to
survive. 1958/BW/90min./
$25.00 $19.95
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"DIRTY GERTIE FROM HARLEM USA / SEPIA CINDERELLA":
Dirty Gertie From Harlem U.S.A. (1946, B&W): Dancer
Gertie La Rue is the toast of Harlem, but she's been two- timing her beau, Al,
the man who put her in the spotlight. Fearing Al's retribution, Gertie drags
her entire show troupe out to the remote island of Trinidad, where she hopes to
lay low for a while. She's also managed to make her self imposed exile a
lucrative one, setting up a residency at Diamond Joe's nightclub. While Gertie
drinks, cusses, and flirts her way across Trinidad, dark clouds are gathering
overhead; local revivalist Jonathan Christian is on a moral crusade to have
her deported. Sepia
Cinderella (1947, B&W): Bob Jordan is an aspiring
songwriter with a melody stuck in his head. Naive in the ways of love, he's
having some trouble writing the lyrics for his would-be hit. Barbara, a
fellow musician and secret admirer, helps him finish the romantic ballad.
"Cinderella" becomes an instant smash, and as Jordan's career takes off,
lovelorn Barbara can only watch as her man slips away. Fame is a fickle
thing, though, and Bob's flirtation with the fast life is short. Loveless
and jobless, his agent has a brilliant idea to get his career back on track
- a Cinderella contest. The gimmick is simple; at Jordan's next show, every
available woman in the audience will bring a single slipper. The owner of
the slipper that Bob selects will be invited upstage to join him in
performing a duet of his signature song. The big night arrives, and Barbara
happens to be in the audience.
$10.00
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"DOUBLE DEAL / MISTAKEN IDENTITY [AKA Murder With
Music]": DVD $10.00:
Double Deal:
Robbery and murder are the sideshows at a nightclub
run by crime boss Murray Howard. His shady henchmen, Dude and Sharpie, kill a
security guard during a jewelry store heist. The getaway is clean, but they'd
made the mistake of taking young Tommy McCoy along on the job. Now sweating
with guilty panic, Tommy's suspicious behavior is bound to draw heat, so Dude
devises a scheme to frame the kid for homicide. 1939/BW/60min
Mistaken Identity: (A.K.A. Murder with Music), Louis the piano player is
murdered by a knife-throwing killer in the middle of a show at Bill Smith's
nightclub. Music is the real highlight of Mistaken Identity focusing
most of its screen time on hot performances by The Skippy Williams Band
Starring Nelle Hill, George Oliver, Bill Dillard, Ken Renard, Noble Sissle.
1941
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"HAREM RIDES THE RANGE /
DIRTY GERTIE FROM HARLEM / MOON OVER HARLEM / THE BIG TIMERS":
Harlem Rides The Range: Stars Herb
Jeffries, Spencer Williams, Jr. and Clarence Brooks. The Singing cowboy is out
to foil dastardly outlaws who stole the deed to a radium mine. 1939/BW/58mins.
Dirty Gertie From Harlem, USA:
Gertie goes to Trinidad to hide from her boyfriend and finds fun and songs
at a Harlem style variety show. A Spencer Williams directed film.
1946/BW/60mins. Moon Over Harlem: Takes a
look at the life, love and struggles of a family from Harlem The Big Timers: A poor girl
falls for an Army officer. Her mother pretends to own the hotel to encourage
the romance. Stars Stepin Fetchit, Francine Everett, Duke William's and
others. 1945/40mins $10.00 $7.50
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"ELEVEN
P.M".: RARE!!! Starring Richard Maurice, Leo Pope,
Sammie Lane, H. Marion Williams. A writer has several appointments set for
Eleven P.M. but falls asleep and dreams the plot for a new drama which
includes a strange element of reincarnation. 1928/BW/Silent/60min
$19.95 $15.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"EMPEROR JONES":
Playwright Eugene O'Neill's early work
often combined memorable characters and stories with social commentary and
innovative theatrical concepts--and among his first great successes was
The Emperor Jones, which starred perhaps the single finest African
American actor of the 1920s and 1930s, the legendary Paul Robeson. When United
Artists purchased the screen rights, Robeson went with the package, and this
1933 film was the result. Plot: Paul Robeson a Pullman Porter in the depression
era, is sent to prison for an accidental killing. He later escapes to a
Caribbean island where he uses his superior intellect and physically
intimidating presence to set himself up as "Emperor." But his own past
troubles have hardened him. He uses his position to bleed the
population--and eventually they revolt against him.
Cast: Paul Robeson, Dudley Digges, Frank H. Wilson, Fredi Washington,
Ruby Elzy, George
Haymid Stamper, Brandon Evans, Rex Ingram, Moms Mabley, Harold
Nicholas, Blueboy O'Connor, Fritz Pollard, Lorenzo Tucker.
1933/BW/72mins.. $15.00
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- Did you know:
Jackie "Moms" Mabley and Fredie Washington were cast members in this
film? You may not recognize Fredi. Because of her fair
complexion censors thought white audiences would think Robeson had interaction
with a white woman, so they made Washington wear dark make-up.
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"EXILE,
The": A drama/romance of the
"Race
movie" genre, it was
Micheaux's first feature-length talkie, and the first
African
American talkie.
The central plot is concerned with a young Black man [Baptiste] whose fiancée comes into ownership of a
mansion located on South Parkway in Chicago. The mansion serves as a combination
cabaret and brothel. The young man, appalled, leaves the city for the plains
of South Dakota where he meets a pretty young girl whom he assumes to be white. He becomes her
friend and protector but the race barrier stands between them, until it is
revealed that she is part Negro. He returns to Chicago where he is framed for
murder by his ex-fiancée.
The girl from South Dakota takes a train to Chicago, where she and Baptiste are reunited; they marry and return to South Dakota.
Cast: Eunice Brooks, Stanley Morrell, Celeste Cole, Kathleen Noisette, Charles
R. Moore, Nora Newsome, George Randol, A.B. DeComathiere, Carl Mahon, Lou
Vernon, Louise Cook, Roland Holder, Donald Heywood, Don Heywood and His Band,
Leonard Harper, Leonard Harper and His Chorines. 1931/BW/
$19.95 $15.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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- NOTE: Micheaux often refer to
the "One-drop rule" in this and many of his films. It's clear that in
his time's the "conception" of race, defines her as Black. The plot gives
Micheaux plenty of opportunity to stage nightclub acts, notably singer
Celeste Cole, dancer Louise Cook tap dancing" Roland Holder dancer, and Don
Heywood and His Band, as well as a bevy of chorus girl.
"FLYING FOR FREEDOM" Flying for Freedom tells
the story of how some of the best pilots, mechanics and servicemen in
the United States military were forced to beat the odds, train in
segregated facilities and engage in separate missions, all because of
the color of their skin. Uncovering forgotten stories and fading
memories, Flying for Freedom follows
the tales of these men from their early beginnings to receiving the
Congressional Gold Medal in March of 2007. Part history lesson and part
social heritage, this moving new high definition documentary provides a
very sobering inside look at the changing face of racism during a time
when Black soldiers and heroes of WWII returned home to an America not
ready to accept them as equals.
Flying for Freedom is filled with the
emotional and personal first-hand accounts of why these men battled
against the system, how it affected their lives and propelled the winds
of change across the future of the country they served... and loved.
2008/BW-Color $19.95
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"GANG SMASHERS
[AKA Gun Moll]" Nina Mae McKinney plays a dame who runs the Harlem rackets. Ralph
Cooper wrote the screen play for this film that also stars, Monte Hawley,
Mantan Moreland, Edward Thompson, Lawrence Criner, Vernon McCalla and others. Release date: 1938 Runtime: 70 min Genre:
Crime,
Music
- Starring:
Nina Mae McKinney,
Monte Hawley,
Reginald
Fenderson,
Mantan Moreland,
Edward Thompson,
Vernon McCalla,
Charles
Hawkins,
Everett Brown,
Lester Wilkins,
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1938/BW/65mins.
$19.95 $15.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"GANG
WAR / BROKEN STRING" "Gang War" (1940)
Plot: War rages among New York mobsters over the profits from jukeboxes.
Director: Leo C. Popkin. Cast: Ralph Cooper, Gladys Snyder, Reginald Fenderson,
Laurence Criner, Monte Hawley, Ernest "Sunshine Sammy" Morrison.
1940/BW/54mins "Broken Strings":
Co-scripted and starring Clarence Muse with Sybil Lewis, William
Washington. A classical violinist injures his fingers. The son becomes a
violinist to earn the needed cash to restore his father's paralyzed hand. Much
to his father's dismay, the son plays swing instead of classical music. 60
minutes.. This musical drama is loosely based on the film "The Jazz Singer."
1940/BW/60mins. $10.00
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"GREEN PASTURES, The"
In this 1936 film version of the Connelly play,
Rex Ingram is nothing
less than brilliant as De Lawd, speaking the most ludicrous of lines with
dignity and quiet authority. Others in the All-Black cast include
Eddie "Rochester" Anderson
as Noah,
Frank Wilson as Moses,
George Reed as Rev.
Deshee, and
Oscar Polk as Gabriel,
who has the film's single most stirring line: "Gangway! Gangway for de Lawd
God Jehovah!"
DVD $19.95 .
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"GIRL
FROM CHICAGO / SON OF INGAGI / The GIRL IN ROOM 20 /
LYING LIPS": DVD $10.00
Girl From Chicago: A secret agent falls for a Mississippi schoolteacher
who moves to New York. Written and Directed by Oscar Micheaux.1932/BW/69mins.
Lying Lips: A night club
chanteuse is setup for a crime. Her detective/boyfriend tries to uncover the
killer. Stars Earl Jones (father of James Earl Jones)
Edna Mae Harris and others. Oscar Micheaux director. 1939/BW/70mins.
Son of Ingagi:
Directed by and staring Spencer Williams. The first All-Black horror film, A scientist who is wealthy and a recluse wills
her fortune and a gloomy old house to a newlywed, the daughter of the man that
she once loved but who did not return her love. The scientist has brought back
from Africa an ape man who drinks a potion she has concocted in the
laboratory. The ape man turns on her and kills her. Later, he murders an
attorney who is searching for $20,000 in gold that the scientist has hidden in
her home. Zeno, brother of the scientist and ex-convict, finds the money but
is discovered by the ape-man. Zeno fires on him, but is killed by the ape-man
before he dies. A detective finally recovers the gold and presents it to the
newlyweds. Girl In Room 20: Directed by & stars Spencer Williams, Jr. with July Jones. A small
town girl goes to New York to make her way as a singer. 1947/BW/60mins.
$10.00
$7.50
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"GOD’s
STEPCHILDREN / GIRL IN ROOM 20":
God's Stepchildren
Written, Directed & Produced by Oscar Micheaux. PLOT: A
light-skinned African-American girl, Naomi (Jacqueline Lewis), abandoned by
her birth mother, denounces her own race in this controversial melodrama. When
Naomi's teacher (Ethel Moses) takes umbrage to the girl's statement that "God
didn't make Negroes" ("we're all God's children," Mrs. Cushinberry replies),
Naomi spreads a false rumor that the teacher is having an affair with a
married professor. A riot ensues, and Naomi is shipped off to a convent by her
distraught mother (Alice B. Russell, Micheaux's wife) for 12-years. Returning
to the family farm years later, a grown-up Naomi (Gloria Press) falls for her
step-brother Jimmy (Carmen Newsome) who she can't have. Encouraged to marry a
dark skinned Negro, she gives birth to a baby boy only to leave him with her
foster mother. She leaves, marries a white man once again denouncing the
"Negro race." When her new husband discovers Naomi's race, he turns her out,
and the disgraced woman drowns herself in a river. Stars Alice Russell, Carmen
Newsome & others. 1937/BW/65mins. Girl In Room 20: Spencer Williams
film. Geraldine Brock, is a country girl who journeys to New York. Her
presence attracts every con man and hustler in the Big Apple. After being
victimized and exploited by a number of disreputable types, Brock finally
wises up-but not soon enough for a peaches 'n' cream happy ending.
DVD $10.00
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"JAZZ
10-PACK:" :Synopsis:
For movie buffs and collectors alike! This star-filled movie pack has been
carefully remastered on DVD for hours of home entertainment. There
are 10 films from the All-Black
Cast film era, with a Jazz performance in each show/film/soundie. $10.00
Set includes:
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1. "Check and Double Check
"
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2. "Duke is Tops, The
{AKA Bronze Venus]"
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3. "Hi-De-Ho"
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4. "Killer Diller"
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5. "Paradise in Harlem"
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6. "Reet, Petite & Gone"
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7. "Rhythm and Blues Revue"
[Showtime At Apollo 1954-55]
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8. "Rock N' Roll Revue"
[Showtime At Apollo 1954-55]
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9. "Soundies Cavalcade"
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10. "Soundies Festival"
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"At The JAZZ BAND BALL"
Get ready for 60 minutes of pure enjoyment performed by Jazz
greats in the early days of sound film [1925 - 1933].In the
mid-1920's, just as jazz was firmly establishing itself as America's
dominant popular music form, new advancements in motion picture technology
allowed sound to be recorded along with moving pictures, and as a
fortunate consequence many of the great artists of the first renaissance
of jazz were captured by "talking picture" camera. At The Jazz Band Ball:
Early Hot Jazz, Song and Dance is a documentary which compiles rare
archival footage of a number of legendary artists, including Louis
Armstrong, Duke Ellington (leading the Cotton Club Orchestra), Bill
"Bojangles" Robinson, The Boswell Sisters, The Dorsey Brothers, and many
more. This collection also features the only known filmed performances of
pioneering blues vocalist Bessie Smith, and the highly influential cornet
man Bix Beiderbecke.
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- 1. DORSEY BROTHERS BAND" (1929), Get Out and Get Under the Moon
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- 2. DUKE
ELLINGTON and his Orchestra (1930), Old Man Blues
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- 3. BOSWELL SISTERS"
(1931), Heebie Jeebies
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- 4. Dance contest with James Barton, the Harlem
Lindy Hoppers, and Chick Webb's Band (1929), Sweet Sue/Tiger Rag
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- 5. LOUIS
ARMSTRONG and his Orchestra, I Cover the Waterfront/Dinah/Tiger Rag
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- 6. PAUL
WHITEMAN and his Orchestra with BIX BEIDERBECKE (1928), My Ohio Home (2
transfers: 1st Normal, 2nd with close ups)
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- 7. BILL ROBINSON in his famous
step dance (1932), Swanee River
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- 8. DUKE ELLINGTON and his Orchestra with
Fredi Washington (1929), Medley: The Duke Steps Out/Black Beauty/Cotton
Club Stomp
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- 9. CHARLIE WELLMAN (1930), Alabamy Snow
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- 10. LOUIS ARMSTRONG and
his Orchestra (1931), Chinatown, My Chinatown/High Society
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- 11. BESSIE
SMITH (1929), St. Louis Blues
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- 12. TESSIE MAIZE and her Darktown Strutters
(1930), Someday Sweetheart
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- 13. TOMMY CHRISTIAN and his Orchestra (1928),
Who Is It? Who?/Tommy Christian Stomp
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- 14. Unknown tap duet with band
(1931), Whistle and Blow Your Blues Away/Mandy
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- 15. BEN BERNIE and his
Orchestra (1925), Sweet Georgia Brown
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- 16. RUBY DARBY (1930), Tell The
World He's Mine
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DVD/ $19.95
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"JIVIN IN BE-BOP / BEWARE"
Jivin' In Be-Bop (1946, B&W): Dizzy Gillespie
takes center stage and hosts an old time variety show from the "Chitlin
Circuit" captured in its entirety. Jivin' in Be Bop features one smash
show-stopping tune after another performed by Dizzy and His Orchestra
intermingled with hilarious vaudeville routines. Starring Dizzy Gillispie and
His Orchestra, Helen Humes, Ray Sneed Sanji, Freddie Carter and Ralph Brown;
Directed by Leonard Anderson and Spencer Williams; Screenplay by Powell
Lindsay; Produced by William D. Anderson. Beware (1946, B&W):
Ware College is about to close its doors forever because its endowment has run
dry. A last minute appeal to famous alumni brings the college's plight to the
attention of Louis Jordan. Jordan, known as King of the Jukebox, set things
right by hounding the good-for-nothing grandson of Ware College's founder into
spending his fortune on education rather than fast living. Beware features
over a half dozen numbers by jazz great Louis Jordan and his Tympany Five.
Starring Louis Jordon and his Tympany Five, Frank Wilson, Emory Richardson,
Valerie Black, Milton Woods, Joseph Hilliard, Tommy Hix, Dimples Daniels;
Produced and Directed by Bud Pollard.
$10.00
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"HALLELUJAH"
The first All-Black Cast film produced by a major studio,
HALLELUJAH represented the culmination of King Vidor's long-standing desire to
do a project dealing with the lives of African Americans, strongly influenced
by his childhood experience in Galveston, Texas. The film stars Daniel Hayes
as Zeke Johnson, an impoverished young sharecropper living in South Carolina.
When he and his brother Spunk (Everett McGarritty) go north to sell their
cotton crop, Daniel falls for the seductive Chick (Nina Mae McKinney) without
realizing she's a shill for the rigged crap game of her lover, Hot Shot
(William Fountaine). Finally grasping the scam, Daniel fights with Hot Shot,
but his brother is fatally shot during the struggle.
The grief-stricken Zeke is reborn as a preacher, traveling the country,
spreading the word of the Lord. The cynical Chick appears among the
congregation at one of his revival meetings and finds herself moved by his
sermonizing. After Daniel baptizes her in the river, the couple elopes, and he
finds work in a sawmill. But Chick's innate restlessness will again create
problems for her new husband. Although now somewhat dated, the film was
probably the closest approximation of African-American life put onscreen up to
that time. The film's outstanding, meticulously researched soundtrack, ranging
from jazz to spirituals, derives from the director's lifelong affinity for
such music. 1929/BW/1HR 40MINS.
DVD $19.95
Did you know?
Nina Mae McKinney
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"HARLEM
GLOBETROTTERS, The": The story of the legendary
Harlem Globetrotters
takes second place to the rise to prominence of All-American athlete
Billy Brown (a star
Globetrotter, here
playing himself). While still in college,
Brown drops his
education in favor of joining the famed basketball team. Lacking the esprit de
corps of his teammates,
Brown is only
interested in fattening his bank account. It takes a few major setbacks,
coupled with the no-nonsense devotion of his sweetheart Ann Carpenter (a
surprisingly subdued
Dorothy Dandridge) to
realign
Brown's priorities.
Thomas Gomez heads
the cast as
Abe Saperstein, the
real-life entrepreneur who organized the
Trotters back in 1927.
Oddly enough, The Harlem Globetrotters suggests that the team is
comprised of serious hoopsters, rather than the zany clowns we've come to know
and love. DVD $25.00
$19.95
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"HARLEM
IS HEAVEN": 1932 - .
Starring -
Bill
Robinson, John Mason, Putney Dandridge, Jimmy Baskett, Anise
Boyer, Henri Wressell, Alma Smith, Bob Sawyer, John Mason, Ferdie Lewis, Myra
Johnson, Margaret Jenkins, Jeli Smith, Slick Chester, Thomas Mosley, George
Nagel, Naomi Price, Jackie Young, Eubie Blake and his Orchestra. ... The story
is woven around the true life experiences of Robinson. It has to do with the
adventures of a beautiful young actress just arrived from the south and the
manner in which she is aided and befriended by Bill, star of a musical revue
of a leading Harlem theatre. How the girl, Jean Stratton played by Anise
Boyer, falls in love with the juvenile of the show, Chummy Walker is told with
skill and the many complications and thrills that ensue are vividly portrayed.
$25.00 $19.95
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"IMITATION OF LIFE": Louise Beavers & Fredi Washington, so find myself always wanting to
prefer the older version, but Beavers is burdened by a script that wanted her
to be as tragic as a hurt puppy instead of a human being, & this weakens the
whole text.
The great thing about the story, however, is how Louise Beavers' standard
"maid" character Delilah very soon finds herself going into the pancake flour
business with Bee Pullman (Claudette Colbert), the woman who initially hired
her as a maid. Delilah had a fantastic family recipe & Bee had the
business & advertising acumen to make "Aunt Delilah Pancake Mix" a success
with Deliah's face on the logo as a classic Aunt Jemima. Delilah's
devotion to "Miss Bee" is sometimes, alas, slavish. This submissive attitude
is in the remake written out of the story somewhat, despite that in the
remake, where Delilah is renamed Annie (Juanita Moore), has her playing a maid
to a stage actress & her role is a lot less inherently interesting than
Beavers' as business partner. It's just that Juanita Moore as Annie smuggles
into the role a considerable independence, whereas Louise Beavers as Delilah
played what was put before her. Though Fredi's role is subsidiary to the tale
of Bee & Delilah going into business, it is such a weighty part of the tale
that it dominates.
And as Fredi Washington was herself a light-skinned black woman who could've
passed for white if she'd wanted to, the role got a lot of attention.
1950S For the remake, Peola is
renamed Sarah Jane, & is played first by a white child (Karin Dicker) then by
a white woman of Mexican & Czech heritage (Susan Kohner).
A side-note on the remake, it features Mahalia Jackson at the extravagant
funeral singing "Trouble of the World. Double
DVD Set $26.95
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"INTERNATIONAL SWEETHEARTS OF RHYTHM" This
remarkable remastered film profiles legendary jazz trumpeter Tiny Davis
and her partner of over 40 years, drummer-pianist Ruby Lucas,
Tiny & Ruby: Hell Divin' Women
weaves together rare jazz recordings, live performances, vintage
photographs, and narrative poetry by Cheryl Clarke. The film
establishes an informal, intimate style in which 78-year-old Tiny
demonstrates that her "chops" and humor are both quite intact.
- This toe-tapping music film tells the story of the
swinging, multi-racial all-women jazz band of the 1940s. A 16 piece band
with a strong brass section, heavy percussion, and a deep rhythmic sense,
the Sweethearts were not just a novelty but featured many of the best
female musicians of the day.
- Maxine Sullivan: Love
to Be In Love is a long-overdue film
portrait of the once famous, and now, largely forgotten jazz vocalist
Maxine Sullivan. Sullivan won fame in the 1930s with swing renditions of
traditional songs like "Loch Lomond" and "Annie Laurie." By the late
1930s she became the foremost Black, female vocalist in America, inspiring
young musicians like Ella Fitzgerald. Film footage, vintage photographs,
reminiscences by other jazz luminaries, as well as Sullivan's wonderfully
seductive music are used to tell her story. Though largely absent
from the jazz scene in the 1950s, she returned to perform in the late
1960s; at one point turning out an album every three months. She never
retired and continued to work till her death in 1987.
- Bonus feature: interview with the filmmakers at Lincoln
Center, NY at the 20th Anniversary screening hosted by New York Women in
Film and TV (NYWIFT) $19.95
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"ISLAND IN THE SUN" Political
intrigue and romantic gamesmanship send an already torrid Caribbean community
to the boiling point in this drama. Maxwell Fleury (James
Mason) and David Boyeur (Harry
Belafonte) are two men running for political
office in a British-controlled island in the West Indies. Maxwell is the son
of a wealthy and socially prominent white family, while David is a black labor
leader with a groundswell of popular support but little money. A scandal
erupts in the press alleging that Maxwell is of mixed racial ancestry, but
Maxwell is actually pleased about the news, thinking that it may endear him to
black voters. Maxwell is not pleased, however, when he hears that his wife
Sylvia (Patricia
Owens) has been having an affair with the
urbane but rootless Carson (Michael
Rennie), taking the matter seriously enough
to murder Carson himself. Maxwell's younger sister Jocelyn (Joan
Collins) is also in hot water, romantically
speaking; she has set her sights on Eun Templeton (Stephen
Boyd), the son of the Island's governor, and
she hopes to snare him into marriage by allowing him to get her pregnant.
Elsewhere on the island, David is secretly having an affair with a white
woman, Mavis Norman (Joan
Fontaine), while David's former girlfriend,
Margot Seaton (Dorothy
Dandridge), has become involved with a white
man, Denis Archer (John
Justin). Based on the novel by Alex Waugh,
Island in the Sun also
features songs from
Harry Belafonte,
including "Lead Man Holler" and the title tune. $19.95
$15.00
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"KEEP
PUNCHING": Former boxer Henry
Armstrong stars as a fighter who is seduced by the high life and fast women.
Henry Jackson [Armstrong] is the pride of his small
town. He wins a golden gloves title and later goes to New York with his
manager Ed Watson despite opposition from his father and sweetheart, Fanny. He
meets an old school chum, Frank, who turns out to be a cold blooded gambler
betting that Henry loses the fight. On the day of the fight, a plot to drug
Henry's liquor just before he leaves to fight is thwarted 1948/BW/80mins.
$15.00 $10.00 [NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"KILLER
DILLER": When the regular stage magician fails to appear for a
scheduled show, Dusty Fletcher shows up in his place by materializing out
of thin air in theater manager Dumdome's office. Dusty hasn't quite
mastered the magic show's mysterious stage props-closets that make people
vanish. When Dumdome's fiancée, Lola, and her new pearl necklace disappear,
the enraged manager tells his secretary, Butterfly McQueen, to call in the
police. Fortunately for Dusty, the cops are more clueless than he is,
giving him plenty of time to court cute Butterfly as they pursue him.
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- The Nat "King" Cole Trio, Jackie "Moms" Mabley, The Clark
Brothers, the Andy Kirk Orchestra and many more talented performers make
this a magical delight. Dusty
Fletcher shows off the masterful command of slapstick farce that made him
one of the godfathers of Black comedy. Butterfly McQueen is best
remembered for her memorable portrayal of Prissy in the 1939 classic
Gone With The Wind. Jackie "Moms" Mabley began working in show
business in 1908, and after many decades of success in the Black circuits,
found mainstream fame in the 1960s. DVD $10.00
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"KING
SOLOMON'S MINE":
Adventure film about the search for King Solomon's diamond mine. Robeson and
Cedric Hardwick endure violent sandstorms, attacks by Zulu tribesmen and
volcano eruptions.
The classic story of action, danger and fabulous wealth in the wilds of
darkest Africa Stars Cedric Hardwick as adventurer Allan Quartermain, with
support from Paul Robeson (who sings in the film), Roland Young and Anna Lee.
The plot gets under way when
Anna Lee organizes an
expedition to locate her father, who has disappeared in the wilds of Africa
while searching for King Solomon's Mines, a legendary diamond repository.
Umbopa's motivation for guiding the expedition is to reclaim the tribal
throne wrested from him by treacherous witch-doctor Gagool (Sidney
Fairbrother). At first treated as white
gods by the natives, the explorers soon find their lives imperiled. Thanks
to Umbopa's know-how, the whites are saved from a horrible death and the
evil tribesmen are overthrown. As for King Solomon's Mines, Quartermaine and
his party finally locate the fabled diamond cache—and then fate deals an
ironic hand, as fate has a habit of doing.
89 min. 1937/BW/81min
DVD $10.00
-
-
- DID YOU KNOW: The first of three talkie versions of
H. Rider Haggard's
adventure novel
King Solomon's Mine
was produced by British Gaumont. While
Cedric Hardwick
plays the nominal leading role of explorer Alan Quartermaine, top billing
goes to
Paul Robeson, who
plays dauntless native- guide Umbopa.
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"LUCKY
GHOST / SPIRIT OF YOUTH":
Lucky Ghost: Mantan Moreland and Flournoy E. Miller do a
bug-eyed bit in this fun-filled supernatural comedy filled with pratfalls and
wacky situations. The two having been sent to another state by a judge, have a
supernatural run of luck. Mantan's luck at dice wins them clothes, a car, his
life, a club and money. Spirit of
Youth: The theme of the picture is that a prize fighter
who forfeits his training for fun and frivolity discovers that he has made a
big mistake. Joe (Joe Louis) leaves his home to find a better job to support
his crippled father, and eventually finds himself in the sport of boxing.
After success in the Golden Gloves, he headed for the top when trouble in the
form of a cabaret singer sidetracks him from his goal. After neglecting his
training, the young boxer loses a match and his true love at the same time.
But, for unexpected reasons, Joe's silent and suffering girlfriend makes a
last-minute appearance at the ring where Joe is losing a match. Inspired by
her appearance, the opponent is soon knocked out, Joe wins the world champion
–ship as well as the girl.
$10.00
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MARK
OF THE HAWK: Filmed on location in Africa,
Mark of the Hawk
stars
Sidney Poitier as a
London-educated African who returns to his homeland to take a political
post. Poitier's brother
Clinton Macklin is in
charge of a rebel organization, determine to topple the white-dominated
government. Poitier must choose between seeking out racial equality through
peaceful means, or casting his lot with Macklin: it is (at least in this
film) a struggle of Right against Right.
Cast: Patrick Allen, Gerard Heinz,
Juan Hernandez, Eartha Kitt, Marne
Maitland, Francis Matthews, John McIntire, Lionel Ngakane, Sidney Poitier,
Ewen Solon, Frederick Treves Sidney $5.00
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"MIDNIGHT
SHADOW":
Synopsis: Margaret Wilson is
the daughter of a well-respected small town family, who is courted by local
man Buster Barnett and a traveling carnival mentalist, Prince Alihabad. When
Margaret's father turns up dead after showing his oil well deed to his
daughter's suitors, she decides to track down her father's killer herself.
Hiring a private investigator and his bumbling assistant, the three set out to
bring the murderer to justice. George Randol & Alfred N. Sack , Starring
Frances Redd, Co-Starring Buck Woods, Richard Bates 1939/BW/60mins.
DVD $10.00
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"MARCHING ON (WHERE IS MY MAN TONIGHT)": Spencer
Williams, Jr. directed this docu-drama about the 25th infantry and shows the
harsh treatment of Black's in WW II. A young man fighting with the emotional baggage of being in
the service, Black and afraid of war. he eventually deserts the army; escaping on a freight train
where he befriends a hobo. Both jump off the moving
train to avoid detected where the , hobo is hurt and dies. Before dying it
is revealed that the hobo was the soldiers dad, who had been reported killed
in the war Instead he had been roaming around with amnesia all
along. The young man passes out in the desert and unbelievably is found by
his Grandfather. He and his Grandfather accidentally discover a Japanese
radio post in the mountains. Grandfather is killed during struggle with
Japanese, as other U.S. soldiers arrive to save the day. The AWOL soldier is
given second chance as he has seen the error of his ways. This film stresses
patriotism and the contribution of Blacks to the war effort.
1943/BW/83mins. $10.00
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"MOVIES OF COLOR: BLACK
SOUTHERN CINEMA": In the 1930s and '40s a surprising hotbed of
independent filmmaking was in the Southern U.S., where African-American actors
and creators made a wide variety of movies for mostly Black audiences. A panel
of scholars discuss the relationship between the South and independent Black
filmmakers. Learn
about the financial and social constraints these artists faced, and see
examples of their work, in this revealing program. Also included are the short
films by Spencer Williams, jr. "The
Blood of Jesus" (1941) and
"Go Down Death" (1944). 162 min.
-
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"MISTAKEN IDENTITY [AKA MURDER WITH MUSIC]
/ DOUBLE DEAL": Mistaken Identity: (A.K.A. Murder
with Music), Louis the piano player is murdered by a knife-throwing killer
in the middle of a show at Bill Smith's nightclub. Music is the real highlight
of Mistaken Identity focusing most of its screen time on hot
performances by The Skippy Williams Band Starring Nelle Hill, George Oliver,
Bill Dillard, Ken Renard, Noble Sissle. 1941 Double
Deal: Robbery and murder are the sideshows at a nightclub run by crime
boss Murray Howard. His shady henchmen, Dude and Sharpie, kill a security
guard during a jewelry store heist. The getaway is clean, but they'd made the
mistake of taking young Tommy McCoy along on the job. Now sweating with guilty
panic, Tommy's suspicious behavior is bound to draw heat, so Dude devises a
scheme to frame the kid for homicide. 1939/BW/60min
DVD $10.00
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"MIRACLE
IN HARLEM":
1948 / 5 reels / Black and White / 35mm / 80 minutes /
Jack Kemp, Director
Synopsis: Aunt Hattie, a religious and kindly old woman who operates a
candy store with her niece, Julie, is swindled by a chain-store owner who
tricks them out of their store. When he and his son are murdered, Julie is
included as a suspect; finally it is revealed the murders were committed by
the chain-store owner's secretary, who stood to inherit the business and its
fortune $15.00
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[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"MURDER IN HARLEM / HARLEM RIDES THE RANGE":
Murder in Harlem Oscar Micheaux
wrote and directed this film about a night watchman who discovers the body of
a murdered white woman. Reporting it to the police, the watchman himself is
accused of the crime, and so begins his nightmare, trying to clear his name
and prove his innocence. 1935 Harlem Rides The Range: Tall and
true in the saddle, Bob Blake [Herb Jeffries] and his comic sidekick, Dusty,
ride into trouble when the owner of a radium mine is murdered and evidence
points to Blake! When the real killer reveals himself and threatens to kill
the miner's beautiful daughter, Blake must bust out of jail to set things
straight!. 1939/BW/60min.
$10.00
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"MURDER
ON LENOX AVENUE / BOY, WHAT GIRL!":
Murder on Lenox Avenue: A
promoter in Harlem forms a Better Business League, but is kicked out after
being accused of mismanagement. They replace him with Pa, a respected man in
the community. Ola, Pa's daughter, is in love with a teacher, but Pa wants her
to marry Jim (Ernie Ransom) who is loved by Mercedes. Ola marries the teacher
and moves down south. Meanwhile, the former League president plots to get even
with Pa. He gets Jim to plant a bomb in the hall where Pa will be speaking.
The bomb is discovered and removed, but Ola reads of the threat and returns
from the south. Ola arrives at the hall while her father is giving a speech
denouncing the attempt on his life. As a last desperate attempt to regain
power, one of the conspirators tries to shoot Pa, but co-conspirator Jim steps
in the way of the bullet and is killed. 1941/BW/60mins.
Boy,
What A Girl: Two
smooth-talking producers are trying to raise money for their musical review.
They line up a potential backer who will put up half the cash if they can find
someone else to Co-finance the production. The duo enlist the services of a
cigar-smoking cross-dresser named "Bumpsie" (Tim Moore), who poses as the wealthy "Madame
Deborah" to fool the backer. Their scheme goes smoothly - until the real
Madame shows up! Madness and mayhem mix with jam sessions at a Harlem roof
party where legendary drummer Gene Krupa performs a surprise drum solo. Famous
Black entertainers include Big Sid Catlett and his band, The Slam Stewart
Trio, Deek Watson and The Brown Dots, and The International Jitterbugs. Tim
Moore is known to millions of fans as George "Kingfish" Stevens, of the
extremely popular "Amos 'n' Andy" television show (1951-1953). He played in
musical revues on Broadway and in Europe before embarking on a movie career
that includes His Great Chance (1923) and Darktown Revue (1931). Moore had
already retired from 50 years of performing when he was cast as "Kingfish."
$10.00
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MYSTERY IN SWING / HI-DE-HO
DVD $10.00 MYSTERY IN SWING.
A whodunit set to swing. Prince Ellis, a debonair musician devastates women
with his charm and cool trumpeting. 1940/BW/66mins HI-DE-HO: Cab
Calloway stars as a bandleader caught between rival gangs. Dusty Fletcher,
Jeni Le Gon and The Miller Brothers Co-star. 1946/BW/46mins.
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"NATIVE SON": Original
version of Wright's novel by the same name.. The story involves Bigger
Thomas [Wright], an angry Depression-era Chicago black who hopes to elevate
himself through his chauffeur's job with a prosperous white Gold Coast
family. The family's daughter takes advantage of Bigger's servile status by
ordering him to drive her to a rendezvous with her communist-activist lover.
Their "parlor liberal" attitude both pleases and confuses Bigger, as do the
girl's apparent sexual advance towards him. One evening, Bigger drives the
girl home after she's gotten herself drunk. She flirts harmlessly with him
in her bedroom; when her blind mother stumbles onto the scene, the terrified
Bigger, certain that he'll be accused of rape, tries to muffle the girl so
she can't talk. He accidentally kills her, whereupon the panicky Bigger
hides the body and tries to pin the girl's "kidnapping" on her lover. Tragedy
piles upon tragedy before Bigger's climactic murder trial and execution;
throughout, we are given the impression that this sorry state of affairs
would never have taken place without the Black-white tensions and
divisiveness that existed in 1930s, and which still exist to this day.
90mins
$15.00 $10.00
Color/BW: Black and White
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"NEW
ORLEANS": Billie Holiday and
Louis Armstrong star in this vintage musical set in New Orleans. Billie plays
a maid who is in love with her “Satchmo” and meets up with him and other
musicians of the era to Jam!.
New Orleans
is Republic Pictures' spin on such "musical origin" films as
Birth of the Blues and
Dixie. Covering nearly
four decades, the story is a fanciful recreation of the "birth" of American
jazz music. Arturo de Cordova plays Nick Duquesne, owner of a posh gambling
house in turn-of-the-century New Orleans. When the "good" people of the town forced
Duquesne to pack up and leave, he relocates in Chicago, where he discovers
that his customers are turned on by hot jazz. Hiring bandleader Louis
Armstrong to entertain his patrons, Duquesne no longer has to rely on gambling
to make a living. Romance enters the picture in the form of Miralee Smith
(Dorothy Patrick), a straight-laced student of classical music who learns to
kick up her heels and shed her inhibitions at the sound of jazz.
New Orleans is the only
mainstream Hollywood feature good enough to cast Billie Holliday in a major
role: true, she's playing a maid, but a maid with the most exquisite singing
voice this side of Heaven. The film's highlight is the Holliday/Armstrong duet
"Do You Know What it Means to Miss New Orleans", surely one of the great
moments of movie-musical history.
BW/1947/ 90mins $15.00
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DID YOU KNOW:
While Billie Holiday appeared in several "Short Subject Films",
New Orleans is her only feature film appearance.
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Billie in a Duke Ellington short.
-
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"NOTORIOUS ELINOR LEE"
- Written, directed and produced by Oscar Micheaux. The
story concerns a great Negro boxing champion [Robert Earle Jones] who is in
the hands of crooks who want him to lose his most important fight so that they
can settle some big bets. The champ is put in the toils of a clever woman who
has been told to make him like her; to soften him up so that when the "time
came" he could be "persuaded." What happens provides tense and thrilling
screen entertainment. The picture is very clear. However, there is
NO SOUND FOR 2/3 OF THE PICTURE].
1940/BW/60min $19.95
[NOTE: This is a special order title from my collector contact, allow
additional time for delivery]
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-
Did You Know: Robert Earle Jones, is the father of
James Earle Jones.
-
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"ONE MILE FROM
HEAVEN":
A rare find! Starring
Fredi Washington - A newspaper woman believes she
has a scoop when she finds a Black woman who is the mother of a white child. Within the framework of
a conventional newspaper yarn,
One Mile From Heaven
raises several controversial issues. Scoop-happy reporter Lucy "Tex" Warren (Claire
Trevor) senses a big story in the plight of
Flora Jackson (Fredi
Washington), a young Black woman who claims
to be the mother of a white baby. In the course of her investigation, Luch
discovers that the child actually belongs to Barbara Harrison (Sally Blane),
now remarried to a wealthy young man and anxious to bury her past. A gang of
extortionists pounce upon this information to victimize Barbara and Flora, but
Lucy uses her newspaper connections to help both women. In the end, it is
decided that the public's "right to know" can best be ignored in this
case. Within the framework of a conventional newspaper yarn,
1937/BW/60mins.
$25.00 $19.95
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"ORIGINS OF AFRICAN AMERICANS ON FILM" This collection
contains some of the oldest footage of African Americans and Africans on film.
Included is:
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- o Edison Company films 1896-06
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- o Fights of Nations [1907]
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- o Uncle Tom's Cabin [1903]
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- o Uncle Tom's Cabin [1914 features Sam Lucas,
an African American as Tom. Other roles were played by African Americans
rather than whites in Black-face which was the custom of the era]
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-
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-
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- "Spying The Spy" an All-Black Cast silent film circa 1916
by the Ebony Film Company.
$15.00 $10.00
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"OSCAR
MICHEAUX: FILM PIONEER": Danny Glover stars as Oscar Micheaux in
this re-enactment of Micheaux's film career. Lorenzo Tucker and Bee
Freeman who appeared in Micheaux's films provide historical antidotes on the
man and his role in making race films.
$15.00
[NOTE: This is a
special order title from my collector contact, allow additional time for
delivery]
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"PARADISE
IN HARLEM / BURLESQUE": Paradise in
Harlem: Black comic Lem Anderson is weary of doing his minstrel comedy on
the vaudeville circuit. He dreams of becoming a serious stage actor and
playing the lead in Shakespeare's Othello. As distant as this dream seems, it
recedes even further when Lem witnesses a mob hit outside the theater. Forced
to leave town or face death, Lem heads down south to find work, but his
personal demons and a drinking habit bring this new life to ruin as well. Just
as all seems lost, his impossible dream comes true when he is called back to
New York to star in Othello. When the mobsters learn that he has returned to
town, they resolve to silence him for good. 1939/BW/60min Burlesque
in Harlem: A provocative peek at a typical Harlem burlesque show, complete
with racy slapstick comedy, bawdy blues singers, slick tap dancers, and
voluptuous exotic showgirls in minimal attire. Legendary black comic, Pigmeat
Markham, makes an appearance in a clever, fast-talking sketch about a sex
clinic. Though tame by contemporary standards, these acts were definitely
considered to be "adult entertainment" at the time. Burlesque in Harlem is a
fascinating look at how society's mores have changed in the last half
century.1949
$10.00
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"PAUL ROBESON: Portrait Of The Artist": This
newly released 4-DVD set explores the film life of this great and under
appreciated man of the world. This DVD set includes a wonderful
booklet with thoughts of the likes of Charles Burnett, Ian Christie, Hilton
Als and others, on the man and his films. It also includes some
wonderful movie stills of Robeson, the actor.
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DISC ONE - ICON: "The EMPEROR JONES" / Paul Robeson-
TRIBUTE TO AN ARTIST: "The Emperor Jones" Of all Paul Robeson's eleven starring film performances, by far his
most iconic was his breakthrough in the
big-screen adaptation of Eugene O'Neill's The
Emperor Jones (1933). He was already a legend for his stage
incarnation of Brutus Jones, a Pullman porter who powers his way to
rule of a Caribbean island, but with this, his first sound-era film
role, his regal image was married to his booming voice for eternity.
With The
Emperor Jones, Robeson became the
first African-American leading man in mainstream movies and, he said,
gained a deeper understanding of cinema's potential to change racial
misconceptions. Previously censored because his co-star Fredi
Washington was so fair-skin it was thought she may appeared "white" to some
viewers. To overcome this dilemma the studio put dark makeup on Miss
Washington which resulted in her appearing pasty and rather odd looking.
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- It should be noted the African American actors who stared
in this film with Robeson: Fredi Washington ["Imitation of Life"],
Harold Nicholas ["Nicholas Brothers"], Jackie Mabley ["moms Mabley"], Rex
Ingram ["The Green Pastures"] and a cast of others...Dudley Digges, Frank
Wilson, Ruby Elzy, George Stamper, Blueboy O'Connor. 1933/BW/76mins
Paul Robeson- TRIBUTE TO AN ARTIST: Is
the Also Academy Award-winning documentary 1979 short by Saul
J. Turell, narrated by Sidney
Poitier. This short traces Robeson's career through his activism and his socially
charged performances of his signature song, "Ol' Man River.
1979/BW/COLOR/29mins.
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- DISC ONE BONUS FEATURES:
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- Audio commentary for The
Emperor Jones by historian Jeffrey C. Stewart
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- "Our Paul: Remembering Paul Robeson", a new video program
including interviews with filmmaker William Greaves and actors Ruby
Dee and James Earl Jones
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- -
"Robeson on Robeson", a new interview with Paul Robeson
Jr. about his father's career and art.
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- DISC TWO - OUTSIDER: "BODY AND SOUL" /
"BORDERLINE": "Body and Soul" Written and directed by
the legendary
African-American filmmaker Oscar Micheaux, is a direct critique of the power of
the cloth,
casting Robeson in dual roles as a jackleg preacher and a well-meaning
inventor.
-
- Additional Release Material:
- Audio Commentary - Oscar Micheaux; Pearl Bowser
DISC THREE - PIONEER: "SANDERS OF THE RIVER" (1935 ) /"JERICHO" (1938):
- Additional Release Material:
- Featurettes - "True Pioneer: The British Films of Paul Robeson" - Interviews with Paul Robeson, Jr., Stephen Bourne, and Ian Christie & Film Clips from SONG OF FREEDOM (1936), KING SOLOMON'S MINES (1937), and BIG FELLA (1938).
DISC FOUR: - CITIZEN of The WORLD "THE PROUD VALLEY" (1940)/ "NATIVE LAND" (1942):
Additional Release Material:
- Featurettes - "The Story of NATIVE LAND" - Interview with Tom Hurwitz
- Interviews - Paul Robeson - 1958, Pacifica Radio
Product Description:
This excellent Criterion Collection DVD set provides a definitive portrait of the trailblazing African-American figure Paul Robeson. As a singer, scholar, athlete, actor, and social activist, Robeson was not only a renaissance man, he transcended the endless social and racial barriers of the time. This in-depth documentary gives a full picture of the man, and includes audio commentary, interviews, and clips from Robeson's films.
DVD Set $98.95
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"PINKY":
Groundbreaking look at race relations from director Elia
Kazan focuses on a light-skinned Black woman (Jeanne Crain) who, after
studying nursing in New England, returns to her Southern hometown to help her
grandmother (Ethel Waters) care for a wealthy woman (Ethel Barrymore). When
the woman dies, the nurse's stake in her will is contested because of her
race. 101 min. Category: Drama Director: Elia Kazan Cast: Ethel Barrymore,
Jeanne Crain, Raymond Greenleaf, Arthur Hunnicutt, William Lundigan, Nina Mae
McKinney, Juanita Moore, Harry Tenbrook, Kenny Washington, Ethel Waters
B&W/1949/101mins
$19.95
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"PORGY & BESS": This
legendary Gershwin opera is set among the Black residents of a fishing village
in 1912 South Carolina, Bess [Dorothy
Dandridge] - a woman with a disreputable history - tries to
break free from her brutish lover Crown Brock Peters ] after he becomes wanted
for murder. The only person willing to overlook her past and offer her shelter
is the crippled Porgy
[Sidney Poitier]. Their
relationship is threatened by the disapproval of the townspeople, the presence
of her old drug supplier Sportin' Life [Sammy
Davis Jr.] - and the threatened return of Crown. Also stars,
Pearl Bailey, Diahann Carroll, Clarence Muse, Ivan Dixon, and many others.
1959/Color/ 2hrs. DVD $45.00
-
- A stellar line-up of African-American
actors and musical stars helped to bring
DuBose Heyward and
Ira Gershwin's
classic operetta to this screen in this lavishly-produced adaptation. Porgy
(Sidney
Poitier) is a crippled man living in the
shantytown of Catfish Row who has fallen in love with Bess (Dorothy
Dandridge), a beautiful but troubled woman
addicted to drugs. Bess is already being courted by several men, including
Crown (Brock
Peters), a muscular laborer, and Sportin'
Life (Sammy
Davis, Jr.), a sharp-suited hipster who
deals narcotics. Crown gets in a fist fight with Robbins (Joel
Fluellen) and ends up killing him; Crown
goes on the lam, and Bess, needing companionship, takes up with Porgy.
However, Crown soon returns, and Porgy kills him in a subsequent
altercation, forcing him to hide from the police. Meanwhile, the fickle Bess
follows Sportin' Life in search of the bright lights of New York City.
Pearl Bailey,
Diahann Carroll,
Ivan Dixon, and
Clarence Muse also
highlight the cast;
Robert McFerrin
provided the singing voice of Porgy, and
Adele Addison dubbed
in Bess' musical numbers.
NOTE:
This is a special order title from my collector contact, allow additional
time for delivery]
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- FULL SCREEN
$25.00 $19.95
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"PRISON
TRAIN": A ruthless bootlegger is
sentenced to 90 years in Alcatraz and is hustled onto the titular
transcontinental. A rival with vengeance on his mind is out to make sure that
it's his last ride anywhere...and the word is passed to the other cons on the
train! Superlative suspense with Fred Keating, Linda Winters. 65 min.
Standard; Soundtrack: English. Plays All Regions. Cast: Harry Anderson,
Dorothy Comingore, Franklyn Farnum, Kit Guard, Fred Keating, Clarence Muse,. BW/1938/
$10.00
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"PURLIE VICTORIOUS" Based on the popular Broadway play, Purlie Victorious is the story of a Black preacher (award-winning stage and screen actor, Ossie Davis), who returns home to rural Georgia to claim an inheritance and bring down Ol' Cap'n' Stonewall Jackson Cotchipee (Sorrell Booke, The Dukes of Hazzard), the ruthless plantation owner that he once served. Accompanying Purlie is Miss Lutiebelle Jenkins (Ruby Dee), a pretty young girl who has captured his heart. Purlie persuades her to convince Cotchipee that she is the long-lost relative entitled to the family inheritance. But, the plot goes awry and Purlie must hide to escape the old man's wrath.
He finds a surprise ally in Cotchipee's son, Charlie (award-winning actor, Alan Alda, in his first film role), a progressive Southern gentleman who takes matters into his own hands, eventually helping Purlie emerge victorious. $15.00
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"THE QUITE ONE": A documentary-styled look at delinquency focusing on a quiet Harlem youth
who drifts into a world of crime before he is rehabilitated by the Wiltwyck School for Boys. Written by James Agee ("The African Queen") and
shot in 16mm. With Donald Thompson, Sadie Stockton, Clarence Cooper. 65
min. Standard; Soundtrack: English. Plays All Regions .BW/1948/64 Minutes
$10.00
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"RISING FROM THE RAILS: THE STORY OF THE PULLMAN
PORTER", A documentary based on the best-selling book by Larry Tye,
chronicles the relatively unheralded Pullman Porters, generations of
African American men who served as caretakers to wealthy white
passengers on luxury trains that traversed the nation during the golden
age of rail. Unbeknownst to most of their white passengers, porters
played critical political and cultural roles, becoming trailblazers in
the struggle for African American dignity and self-sufficiency,
patriarchs of black labor unions, and helping give birth to the Civil
Rights Movement. Ultimately, however, their greatest legacy is that
which they left to future generations. RISING FROM THE RAILS is an
engaging and moving tribute to these men who rose, with dignity, from
the rails. 2007/BW/Color $19.95
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"SEPIA CINDERELLA / DIRTY GERTIE FROM HARLEM USA"
Sepia Cinderella (1947, B&W): Bob Jordan is an
aspiring songwriter with a melody stuck in his head. Naive in the ways of
love, he's having some trouble writing the lyrics for his would-be hit.
Barbara, a fellow musician and secret admirer, helps him finish the romantic
ballad. "Cinderella" becomes an instant smash, and as Jordan's career takes
off, lovelorn Barbara can only watch as her man slips away. Fame is a fickle
thing, though, and Bob's flirtation with the fast life is short. Loveless and
jobless, his agent has a brilliant idea to get his career back on track - a
Cinderella contest. The gimmick is simple; at Jordan's next show, every
available woman in the audience will bring a single slipper. The owner of the
slipper that Bob selects will be invited upstage to join him in performing a
duet of his signature song. The big night arrives, and Barbara happens to be
in the audience. Will he finally make the right choice? Dirty Gertie
From Harlem U.S.A. (1946, B&W): Dancer Gertie La Rue is the toast of
Harlem, but she's been two- timing her beau, Al, the man who put her in the
spotlight. Fearing Al's retribution, Gertie drags her entire show troupe out
to the remote island of Trinidad, where she hopes to lay low for a while. She's
also managed to make her self imposed exile a lucrative one, setting up a
residency at Diamond Joe's nightclub. While Gertie drinks, cusses, and flirts
her way across Trinidad, dark clouds are gathering overhead; local revivalist
Jonathan Christian is on a moral crusade to have her deported. $10.00
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"SPIRIT
OF YOUTH / LUCKY GHOST : $10.00
Spirit of
Youth: The theme of the picture is that a prize fighter
who forfeits his training for fun and frivolity discovers that he has made a
big mistake. Joe (Joe Louis) leaves his home to find a better job to support
his crippled father, and eventually finds himself in the sport of boxing.
After success in the Golden Gloves, he headed for the top when trouble in the
form of a cabaret singer sidetracks him from his goal. After neglecting his
training, the young boxer loses a match and his true love at the same time.
But, for unexpected reasons, Joe's silent and suffering girlfriend makes a
last-minute appearance at the ring where Joe is losing a match. Inspired by
her appearance, the opponent is soon knocked out, Joe wins the world champion
–ship as well as the girl. Lucky
Ghost: Mantan Moreland and Flournoy E. Miller do a
bug-eyed bit in this fun-filled supernatural comedy filled with pratfalls and
wacky situations. The two having been sent to another state by a judge, have a
supernatural run of luck. Mantan's luck at dice wins them clothes, a car, his
life, a club and money. DVD
$10.00
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"STORMY
WEATHER:
Built around the premise of a Big Stage Show,
Stormy Weather affords
rare "mainstream" leading roles to some of the era's greatest African-American
entertainers
Lena Horne,
Bill "Bojangles" Robinson,
Dooley Wilson,
Cab Calloway,
Katherine Dunham,
Fats Waller, and the
Nicholas Brothers.
The thinnest plotline — dancer Robinson has an on-again-off-again romance with
Horne — is simply an excuse for lively, well-staged performances. Of the
fourteen musical numbers, the most memorable is
Lena Horne's
rendition of the title song, artfully staged by director
Andrew L. Stone. Keep
an eye out for uncredited contributions by jazz greats
Zutty Hamilton,
Coleman Hawkins and
Taps Miller.
DVD $19.95 $15.00
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"SWING
/ MOON OVER HARLEM": $10.00
Swing:
An Oscar Micheaux directed film. Starring Cora Green, Hazel Diaz, Carman
Newsome, Dorothy Van Engle; about a cheating husband. The wife moves to New
York City becoming a wardrobe girl for a all-Back Broadway
musical.1938/BW/60min
Moon
Over Harlem: Kind-hearted widow Minnie is marrying a womanizing racketeer
known as Dollar Bill, and her beautiful daughter Sue is heart-broken. When
Bill tries to seduce the young girl right under Minnie's nose, the love-struck
mother wrongly blames her daughter. Feeling betrayed and abandoned, Sue runs
into the arms of her boyfriend, Bob, who happens to be organizing the Harlem
neighborhood to fight Dollar Bill's extortionist gang. Minnie's naive belief
in her new husband's basic goodness leads to tragedy when she rushes.
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"SCAR OF SHAME": Plot Synopsis This drama
follows the painful marriage between a brilliant African-American concert
pianist who marries a woman from a lower social caste and then hides his
marriage from his socially conscious upper-middle class mother. Perhaps the most important accomplishment of the
Black-Cast Films of the 1920s-40s is the window they offer contemporary
viewers into the mores and lifestyles of middle-class African-American life.
In spite of the often crude cinematic techniques -- essentially due to the
limited funds and facilities that were available to filmmakers in this
market -- these films remain undeniably fascinating. The Scar of
Shame (1927) is particularly intriguing among black-cast films because
of its obvious ambition. Not satisfied to be merely a Hollywood-derivative
drama with black actors, it endeavors to explore the delicate and often
painful divisions that existed within African-American society of the day (a
rift that was termed the "twoness" of black culture by educator and activist
W.E.B. DuBois).
Lucia Lynn Moses stars as Louise, a young woman who is protected from an
abusive stepfather (Norman Johnstone) by Alvin, an ambitious young composer
(Harry Henderson). Although Louise is obviously beneath his social station,
Alvin secretly marries her. With the help of a street hoodlum named Spike
(William E. Pettus), the stepfather hatches a plan to regain control of his
daughter. Louise comes to believe Alvin is ashamed of her, so she welcomes
the life of vice, wealth and disgrace they propose. Alvin confronts them,
shots are fired, and Louise receives a wound in her neck, a powerful symbol
of her moral corruption.
The essential crisis of The Scar of Shame is the struggle to rise
above the downward pull of the "street," and this conflict is represented
quite effectively in the film's well-orchestrated (at times overwrought)
dramatics. Just as Louise was unable to escape the influence of her
stepfather, Alvin finds his promising future endangered by the secret
romance of his past, suggesting that every level of black society faces
obstacles beyond the obvious black/white struggle. The Scar of Shame
was a product of the Colored Players Company, an enterprise founded by David Starkman, who also served as the film's screenwriter. The director, Frank
Peregini, and cinematographer, Al Ligouri, were also white.
Established in Philadelphia in 1926 with a $100,000 investment, the CPC
produced only three films before it was absorbed by another company.
Tragically, neither of the other two films, A Prince of His Race
(1926) and Ten Nights in a Bar Room (1921), survive today. In order
to appear in the film, Moses, a dancer at Harlem's legendary Cotton Club,
was required to commute (between performances) to the CHC studios in
Philadelphia.
As screenwriter, Starkman may have organized the narrative plot of the film
-- which was a direct descendent of the exaggerated Victorian melodrama --
but the more subtle themes of class separation were no doubt developed in
cooperation with his African-American collaborators more attuned to the
issues of caste within black society.
Director: Frank Peregini
Producer: David Starkman
Screenplay: David Starkman
Cinematography: Al Liguori
Principal Cast: Harry Henderson (Alvin Hillyard), Norman Johnstone (Eddie
Blake), Ann Kennedy (Mrs. Lucretia Green), Lucia Lynn Moses (Louise Howard),
William Pettus (Spike Howard), Lawrence Chenault (Ralph Hathaway), Pearl
McCormack (Alice Hathaway)
BW-76m. $15.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"SO
RED THE ROSE":
So Red the Rose
is a Civil War drama that plays like a warm-up for
Gone With the Wind—and,
unlike Wind, has two genuine Southerners in the leading roles.
Margaret Sullavan is
the aristocratic mistress of a sprawling Southern plantation, whose sheltered
lifestyle is rent asunder by the War. All that sustains her during the
conflict's darkest days is her love for her distant cousin, a Confederate
officer played by
Randolph Scott. Despite
the incursions of Yankee troops (most of whom are portrayed as one step above
gorillas), Sullavan holds her family together even after her mansion is burned
to the ground. She even manages to talk her slaves out of rebelling, in a
scene that must have caused embarrassment for everyone concerned in later
years. The fact that
So Red the Rose died at
the box office (industries dubbed the picture "So Red the Ink") was the
principal reason why so many producers turned down
Gone with the Wind a
few years later.
$19.95 $15.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"SUNDAY SINNER / GO DOWN DEATH"
Sunday Sinners (B&W, 1940): Reverend Jesse Hampton has a bone to
pick with the management of Club Harlem, a wildly popular nightspot where
drinking and dancing are the rule. No old-fashioned prude, the Reverend
tries to see the positive side of the juke joint activities, knowing that
the jitterbuggers are basically decent kids who just need to blow off a
little steam. But the preacher sees red when the club opens on the
Sabbath, threatening to turn the good townsfolk into Sunday sinners. An
upcoming dance contest seems destined to become a showdown between the
powers of light and darkness. Packed with soulful singing, wild dancing
and snappy comedy. Go Down Death
(B&W, 1944): Bar owner Big Jim Bottoms (Spencer Williams) has a running
feud with a popular local preacher, whose sermons are rallying the
townsfolk against him. With the help of three trampy bar-girls and a
sneaky photographer, Big Jim comes into possession of some very
compromising pictures of the young minister. His attempt to smear the man
is thwarted when Jim's adoptive mother, a devout churchgoer, demands that
he give the offensive snapshots to her. When the two struggle over them,
Jim accidentally kills the woman who raised him. At the funeral, Jim's
conscience fills his skull with screaming condemnation, driving him to
delirium. DVD $10.00
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DID YOU KNOW: Go Down Death is one of several
spiritual testaments from Spencer Williams, best known for his comedies
and Juke Joint musicals. In his dual role as director and lead actor,
Williams does a rare turn as a heavy in this highly moralistic and
stylized work based on a poem by renowned black writer, James Weldon
Johnson.
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"SOULS
OF SIN / MURDER ON LENOX AVENUE.":
. Souls of Sin This All-Black Cast drama is a wonderful slice of Harlem, the story takes
place in a boarding house full of aspiring, but poor artist. The calm is
disrupted when Dollar Bill, a cheap hoodlum moves in. His aspirations to be a
big time hood, his relationship with life and the boarding house tenants is at
the least tumultuous. The tenants try in vain to guide him to the straight and
narrow, but eventually he dies in a mob shoot out. -William
Greaves, Harris & Scott, Savannah Churchill.
Synopsis: "Dollar Bill" Burton, a gambler, lives in a Harlem basement
apartment with Roberts, a hard-luck writer, and Alabama, a talented guitarist-
singer. At a local bar, Bill is hired by Bad Boy George to sell stolen jewelry
and takes an interest in Regina, George's girlfriend who helps Alabama get a
break in television. Bill dies of gunshot wounds, but the other characters
realize personal success. This film was William Alexander's last
feature.1949/BW/60 min.
Murder on Lenox Avenue Murder on Lenox Avenue: A
promoter in Harlem forms a Better Business League, but is kicked out after
being accused of mismanagement. They replace him with Pa, a respected man in
the community. Ola, Pa's daughter, is in love with a teacher, but Pa wants her
to marry Jim (Ernie Ransom) who is loved by Mercedes. Ola marries the teacher
and moves down south. Meanwhile, the former League president plots to get even
with Pa. He gets Jim to plant a bomb in the hall where Pa will be speaking.
The bomb is discovered and removed, but Ola reads of the threat and returns
from the south. Ola arrives at the hall while her father is giving a speech
denouncing the attempt on his life. As a last desperate attempt to regain
power, one of the conspirators tries to shoot Pa, but co-conspirator Jim steps
in the way of the bullet and is killed. 1941/BW/60mins.
DVD $10.00
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"STRAIGHT
TO HEAVEN", This film stars Lorenzo Tucker, Nina Mae McKinney, Jack
Carter, Bernice Vincent, Thomas Mosely, Pearl Bains, George Williams, James
Fuller, Jimmie Baskett, Emmory Evans, Teddy Hale, Jackie Ward, Lionel Monogas,
Percy Verwayen, The Three Peppers, Millie and Bubbles, Sherman Dirkson, Jules
Smith, Martin and Williams, Tuffy Hawkins, Mae Francis, Edna Slatten, Lenore
White, Marion Galloway, Marcelle Wescott. -- Lucky John is head of a syndicate
which is distributing rotten canned food and hair care products to
unsuspecting Negroes in Harlem. Joe Williams is sent to jail for murder and
placed on trial for his life. William's wife plays a big part in clearing her
husband of murder charges engineered by Lucky John. 1939/BW/60mins
$25.00 $19.95
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"ST. LOUIS
BLUES": The life of legendary bluesman
W.C. Handy is highly
dramatized in this tuneful biopic. The story opens as his father, a minister
chastises his son for playing "the devil's music." Despite his father's
admonitions, Handy is drawn to the blues. He is encouraged by two disparate
women, one an earthy singer from New Orleans and the other a good-hearted
girl from his hometown whose main concern is Handy's happiness. Stress
causes Handy to go blind for a while, but eventually he regains his sight,
becomes famous for his music, and wins the respect of his father. The
highlight of the film involves the performance of Handy's music by some of
the great blues and jazz singers of the 1950s including
Cole,
Calloway,
Jackson, and
Fitzgerald. Songs
include "Hesitating Blues," "Chantez Les Bas," "Beale Street Blues," (W.C.
Handy), "Careless Love" (based on folk music by Handy; lyrics by
Spencer Williams,
Martha Koenig),
"Morning Star," "Way Down South Where the Blues Began," "Mr. Bayle," "Aunt
Hagar's Blues" (Handy; lyrics by
Tim Brymn), "They
that Sow" (hymn), and "Going to See My Sarah" (spiritual)
Starring,
Nat "King" Cole, Ertha Kitt,
Pearl Bailey, Cab Calloway, Ella Fitzgerald, Mahalia Jackson, Ruby Dee, Juan
Hernandez, Billy Preston, Teddy Buckner, Barney Bigard, George 'Red'
Callender, Lee Young, George Washington. Based on the life and music of W.C.
Handy, (the "father of the Blues"). The story tells of Handy's struggle to
write and play music. His father, a minister is against the "devil's" music,
therefore, against his son. He becomes temporarily blind, and of course
there's the standby problem, romance. 1958 $25.00
$19.95
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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- Did You Know?
The
late singer/songwriter Billy Preston stared as the young W.C. Handy in this
film. He is shown here with Nat King Cole.
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"SYMBOL
OF THE UNCONQUERED":
This early-Black cinema silent was produced and directed
by the era's most prolific African-American filmmaker
Oscar Micheaux.
Iris Hall played Evon Mason, "a beautiful Negress"
traveling West to
inspect her inheritance, a gold mine. She is thrown out of the area's only
hotel but is cared for by a Black prospector (Lawrence
Chenault), whose life she later saves. Racism rarely reared its ugly
head in Micheaux's films, at least not directly. It is therefore noteworthy
that
Symbol of the Unconquered contains a scene wherein the protagonist is
barred from an all-white hotel, a situation all too familiar to the film's
African-American target audience. Eva
Mason, beautiful quadroon, has inherited property from her father, and while
looking it over becomes lost. She is found by Hugh von Allen who mistakes her
for white. They later fall in love. Later, Drescola, villainous scoundrel,
learns that Eva's property has valuable oil on it and, unable to buy the
property from her, he uses his influence with a Negro-hating squaw man and a
band of "white riders" to run Eva off the property. Whether he succeeds or not
is the climax of the picture.
1920/BW/Silent/ $15.00 $10.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"TALLEST
TREE IN THE FOREST / LAST DAYS OF MALCOLM X":
A searching documentary of a man who lived his life full of passion
and conviction. His life spanned from 1898 to 1976. It ended in sadness and
loneliness partly due to his support for communism and Stalin. Paul Robeson
was a well known and widely respected Black American of the 1930s and 1940s.
He was a singer, actor, civil rights activist, law school graduate, athlete,
scholar and author. He learned to speak more than 20 languages in order to
voice his public opinion and unyielding views on issues of race and ignorance
throughout the world. 86 minutes. A must see video that documents the
life of Paul Robeson's controversial career. It contains comments by Robeson's
son and has interviews with Robeson, Sr. 1977/Color and BW/60mins
DVD $7.00
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"TAMANGO"
A story of a revolt on a slave ship was
actually around prior to the more recent Amistad but unfortunately, few seemed
to have much interest in it judging from the limited distribution of this film
when it first appeared in the conservative atmosphere of the 50's. It was
actually banned in France. The objection of course, was the interracial
relationship between slave ship captain Curt Jurgens and his slave mistress
Aiche (Dorothy Dandridge). When a revolt occurs, Dandridge as a marginalized
person tries to stay uninvolved, even though she has some attraction to the
revolt leader Tamango. She is not really liked by the African captives as she
has "given" herself to the white captain is obviously not the
nicest person in the world but seems to have some genuine affection for Aiche
and treats her comparatively well. Aiche has suppressed bitter resentment
about her slave origins and treatment by former masters and still has hopes
for a possible future better life with Jurgens, even after she finds out he
has plans to wed a white woman and live in Holland. However, when confronted
he claims he will stay with Aiche and even make her a free woman. When the
revolt begins she is forced to make a decision where her loyalties lie and
tragedy occurs. DVD $10.00
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"TARZAN'S
PERILS
(AKA:
"Tarzan and the Jungle Goddess")
A Dorothy Dandridge jungle film.
- DVD/
$19.95
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[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"TEN
MINUTES TO LIVE" A Oscar Micheaux films. A mixed pair of early
suspense stories set in the twilight world of Harlem after dark. "The Faker"
and "The Killer." Stars Laurence Chesnault and A.B. Comathiere.
Low-budget auteur Oscar Micheaux directs this early crime drama
concerning a Harlem nightclub dancer and presumed gangster's moll who receives
a most unsettling note. Informed that in ten minutes she will be escorted into
the back alley and unceremoniously pumped full of lead, the young dancer
quickly begins to ponder the sad prospect of her all-too-brief future
1932/BW/63mins. $15.00 $10.00
[NOTE: This is a special order title from my
collector contact, allow additional time for delivery]
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"UNDERWORLD / DARK MANHATTAN" Underworld:
Directed by Oscar Micheaux Paul Bronson lusts after the
decadent world of nightclubs and casinos. His strongest desires are reserved
for the dangerously voluptuous Dinah Jackson, but this beautiful temptress is
really the "property" of mob boss LeRoy Giles. When jealous LeRoy gets wind of
Dinah's cheating, he cuts off her money and kicks her out. An angry Dinah has
LeRoy shot, and suspicion falls on Paul. Dinah is Paul's only alibi - and his
only hope of avoiding a long walk down death row. Starring Sol Johnson,
Bee Freeman, "Slick" Chester, Ethel Moses, Oscar Polk; .
1937/BW/63mins. Dark Manhattan On the tough back streets
of Harlem, thugs and crooks fight for control of the numbers racket. One small
time hood, "Curly" Thorpe, is enlisted by the biggest mob boss in town, Larry
B. Lee, to be his protégé.
Curly takes over the operation, bringing a new level of brutality and greed to
Lennox Avenue. Beautiful women, fast cars and hard cash are all that Curly
cares about, but he steps on the wrong toes to get them. Tougher men than
Curly now want him dead. Starring Ralph Cooper, Cleo Herndon, Clarence
Brooks, Jess Lee Brooks; Directed by Harry L. Fraser. 1937/BW/60mins.
$10.00
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"
VEILED
ARISTOCRAT" Plus Bonus Short: "Mr. Adam's
Bomb" : .
Lorenzo Tucker dubbed the "Black Valentino" by Micheaux stars in this film as
a lawyer who returns home to find his sister
about to marry a dark-skinned man. Directed by Oscar Micheaux,
Cast:
Laura Bowman,
Lawrence Chenault Walter Fleming,
Barrington Guy ,
Lucille Lewis,
Carl Mahon , Lorenzo Tucker.
Based on the Oscar Micheaux novel "The House Behind The Cedars". The romantic
lead, Lorenzo Tucker, was billed as "the Black Valentino." Tucker
got his start in show business appearing with Bessie Smith on a number of
cross-country tours. 1932/BW/44MINS
$15.00
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DID YOU KNOW...
Lorenzo Tucker (June 27, 1907 – August 19, 1986), dubbed the "Black
Valentino" by Oscar Micheaux, was an
African-American stage and screen actor who played the romantic lead in
the early Black films of
Oscar Micheaux. He also made an uncredited cameo appearance with
Paul Robeson in 1933's
The Emperor Jones.
He got his start on-stage appearing with
Bessie Smith
on a number of cross-country tours.
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Additional Extra:
"Mr. Adam's Bomb" 1949/BW/21mins. Rare Short This is an odd little film as it starts out hinting that it
intends to be a jazz soundie, but it's main intent is to portray a Black
family gathering & party completely devoid of jive. .The plot of this
short film is that the upstairs border, Adam Jones, has been seen sneaking
in the house late at night with round packages, which starts the rumor that
he's building an atom bomb in his room. There's going to be a party at the
house that night & Johnson makes sure his police detective friend is
invited, so he can have a chance to investigate the possibility of there
being a bomb in the house.
The heart of the film is Adam Jones doing a magic act for comedy effect,
getting the "cowardly" cop's sidekick character from the audience for the
amazing trick of ramming a butcher knife into the top of his skull. Our
"coward" does muster the bravery to go through with the trick, & it's an
amusing long bit.
Adam is played by Eddie Green, a monologist, radio star, & Vaudevillian, who
died relatively young the following year, so this was to be his last film
appearance.
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"WAY DOWN SOUTH"
Way Down South
ranks as among the better Bobby Breen musicals, if only because of its
impressive production credits. The film is set in antebellum Louisiana, where
young Tim Reid's (Breen) inheritance is highly coveted by crooked attorney
Martin Dill (Edwin Maxwell). With the help of kindly Cajun innkeeper Jacques Bouton (Alan Mowbray), Tim is able to foil the villain, with time left over
for a number of Southern-fried tunes. The film's attitudes towards slavery-to
a man, the "darkies" are blissfully content with their lot in life-is
astonishing, inasmuch as the film was co written by Clarence Muse (one of the
more militant black performers in Hollywood) and African American poet
Langston Hughes! $10.00
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"WITHIN
OUR GATES": Oscar Micheaux made this film as a response to his outrage at
D.W. Griffin's "Birth of A Nation." The film is graphic and has scene of a
hanging and attempted rape.
This film is one of the earliest surviving examples of a film by an
African American filmmaker. Sylvia Landry is engaged to a black soldier, but
her rival Alma Pritchard arranges for him to catch Sylvia in an innocent but
compromising situation. No longer engaged, she moves to the South to work as
a teacher in an all-black school. When the school has financial problems,
she returns to Boston to raise money for it. There, she is befriended by a
white doctor, Dr. Vivian, who falls in love with her. In a flashback, her
rival tells the doctor how Sylvia lost her family. Sylvia's father was
unjustly accused of murder, and her parents were lynched. Micheaux was not a
great artist, but his films are important because they dealt with issues
that the mainstream "white" studios ignored. The only surviving print of
Within Our
Gates was found in an archive in Spain, and the titles had been
rewritten in Spanish. When translated back to English, plot points may have
been lost. On the other hand, the last third of the film is a haunting
flashback to the death of Sylvia's parents. The scenes of the lynch-mob
beating one man to death and hanging Mr. and Mrs. Landry are still powerful
today, and the film is highly critical of blacks who betray their race to
earn favor with the white dominant society.
Cast:
Evelyn Preer,
Flo Clements, James D. Ruffin, Jack Chenault, Charles D. Lucas & others.1920/Silent/BW/60mins. $15.00
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DID YOU KNOW:
Evelyn Preer's
first film role was in Micheaux's 1919 debut effort
The Homesteader. As his premier leading actress, Micheaux heavily
promoted Preer with a steady tour of personal appearances and a publicity
campaign. Many of Micheaux's subsequent films were vehicles designed to
showcase Preer's extraordinary versatility. Preer was lauded by both the
Black and white press for her ability to continually succeed in ever more
challenging roles and refusing to play roles that she believed demeaned
African-Americans.
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- In 1920, Evelyn Preer joined The Lafayette
Players, a theatrical stock company founded in 1915 by another pioneering
stage and film actress
Anita Bush, who was known as “The Little Mother of Black Drama.” Bush
and her acting troupe brought legitimate theatre to Black audiences
throughout the U.S. While the troupe was based in Chicago, Preer met her
future husband, fellow Lafayette Player
Edward Thompson. They married in
Nashville, Tennessee in 1924 while on a Southern tour.
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SHORTS AND SOUNDIES
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BLACK AND TAN:
the early sound film Black & Tan (1929) was
a first-rate way to show off sound film technology as being so
consequential it could bring performances of just this magnitude to any
theater.
The orchestra performs with a dancer, Fredi Washington. She's playing
Duke's wife, too, but in real life she would (in 1933) marry Duke's
trombonist Lawrence Brown.
The band's dancer has achieved a fame beyond that of the band. Without her
star presence, the band might not get the pending contract which pretty
much hinges on the club getting Fredi at the same time. she has a
heart condition & has been warned to give up her career. But Fredi can't
let Duke down, & assuring Duke she's healthy enough to perform, she will
literally dance herself to death.
In the context of this short-subject
tragedy, Duke Ellington & His Orchestra perform at least three original
compositions.
"The Duke Steps Out" is played as a dirge-march; "Black Beauty" is the number for Fredi's main dance; The film is framed front & back
with "Black & Tan Fantasy." The Hall Johnson Choir puts in a
gospel moment at the end, for the sadness of Fredi's dying.
Hall Johnson was vocal coach to such great singers as Marian Anderson &
Harry Belafonte, & his choir can be seen or heard in such films as
Green Pastures (1933), Cabin in the Sky (1943), Dumbo
(1940), & in the "scarecrow" segment of the anthology film Tales of
Manhattan (1942). DVD $5.00
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"DARKTOWN
REVIEW": A short variety film with musical sequences and comedy by Oscar
Micheaux. As in many early
talkies, the camera-work is extremely static. The film included choral singing
and several vaudeville acts, including a comedy duo routine about a haunted
house. Stars Tim Moore [The Kingfish from "Amos ’n
Andy"] Other cast: Celeste Cole, Amon Davis , Donald Heywood .... & the Donald
Heywood Choir), Andrew Tribble 1933/BW/18min./
DVD $7.50
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"BROKEN
EARTH": Joshua a poor farmer with a dog and a son, works hard to care
for his son. He visits his wife's grave and tells her that little Joshua, their
son is going to get well. While out in the fields working, the dog comes to get
him, because his son has taken a turn for the worse. While praying for his sons
life, a strong ray of sunlight breaks through the clouds over their cabin and
slowly, Little Joshua opens his eyes. Clarence Muse, Freida Shaw Choir.
1939/BW/20min DVD $7.50
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WHO IS CLARENCE MUSE?
Muse, born in 1889, was a lawyer,
writer, director, composer, and actor. He earned a degree in International Law
from The Dickinson School of Law of Pennsylvania in 1911. Disgusted with the
poor opportunities for Black lawyers, he selected a show business career. Muse
appeared as an opera singer, minstrel show performer, vaudeville and Broadway
actor; he also wrote songs, plays, and sketches. An active participant in the
Black theater movement of the 1920s, Muse became a member of the progressive
All-Black Lincoln Players.
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Though he was an outspoken advocate
for better and more equitable treatment for Black performers, Muse was a
staunch supporter of the controversial TV series Amos 'N' Andy.
He pointed out that, despite the caricatured leading characters, the series
allowed Black actors to play doctors, bankers, judges, professors, and other
parts generally denied them in "white" shows. In 1955, Muse was a regular on
the weekly TV version of Casablanca, playing Sam the pianist (a
role he nearly got in the 1942 film version) and in 1959, he appeared in the
film Porgy and Bess. Other film credits include Buck and the
Preacher (1972) and Car Wash (1976) He's the shoe shine man in
front of the car wash.
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"OPEN THE DOOR RICHARD" & "RICHARD'S ANSWER" Dusty Fletcher is well known for his skit "Open The Door Richard"
where he fights with a latter while at the same time calling for Richard,
"The Boy I Room With". Even today, this is a great comedic routine.
Dusty
Fletcher stars in the short film Open the Door, Richard (1945), a
comedy routine that started out on vaudeville's chitlin circuit & reached the
Apollo Theater in 1935. It became one of the most famous comedy bits of its
era, & was captured on film ten years later.
RICHARD ANSWERS: Stepin Fetchit's portrayal of Richard's
stubbornness about not getting up to answer the door is not as complex a piece
of comedy. Sweet Mary tries to sweet-talk him into opening the door
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DID YOU KNOW.... the mother of
the singing group Sister Sedge Florez "Kathy" Sledge, played the role of
Richard's wife in this short. Referred to as
Flores Marmon in this short .
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"RUFUS
JONES FOR PRESIDENT":
A very stereotypical Hollywood musical short.
This film starts with a seven year old
Sammy Davis in the arms of
Ethel Waters, being told that
he could be president one day. He falls asleep and dreams of being President.
Plenty of singing and dancing with lots of stereotypical dialect and scenes
like, "Vote for Rufus Jones for President and gets two pork chops", or scenes
of dice playing in congress or everyone walking around holding a pork chop. -
Ethel Waters, Hamtree Harrington, Sammy Davis, Jr., Dusty Fletcher, Edgar
Connor, The Will Vodery Girls, The Russell Wooding' Jubilee Singers. 1933/BW/
15mins.
DVD $7.50
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"Rhythm and Blues Revue [AKA Showtime at The Apollo]"
(1955):
Directed by Joseph Kohn and Leonard Reed;
Cast:
Willie Bryant .... Freddie Robinson,
Lionel Hampton .... Count Basie, Faye Adams .... Bill Bailey,
Herb Jeffries .... Amos Milburn
Sarah Vaughan .... Nipsey Russell,
Big Joe Turner .... Martha Davis,
Little Buck .... Nat 'King' Cole
Mantan Moreland .... Cab Calloway,
Ruth Brown
This is a collection of exciting R&B performances from the mid 1950's,
filmed at the Apollo Theatre in Harlem, New York City. Every performance
is a gem. The genial host, Willie Bryant, keeps things moving and
the lowbrow comedy from Nipsey Russell and Mantan Moreland helps create,
a wonderful "revue" feel for the show.
71 Minutes.
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"Basin Street Revue"
(1956),
Directed by Joseph Kohn and Leonard Reed
More R&B performances from the mid 1950's, filmed at the Apollo Theatre
in Harlem, New York City. 41 Minutes
Extras: Soundies
Maurice Rocco, Bob Howard, Noble Sissle, Artie Young, Frances Grey,
Doris Ake, Avanel and Mildred and Bow. 17 Minutes
$10.00
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"KING FOR A DAY [AKA, BLACK ORCHIDS]". Vitaphone musical
short, King for a Day (1934), starring the legendary tap dancer Bill
Robinson At a rehearsal for Brown's Black
Orchids, we see many chorus dancers through a doorway practicing tap in two
lines. Mr. Brown (Ernest Whitman) in a bowler hat tells his employees not to
let dancer Bill Green (Bill Robinson) in the building, as Brown hasn't any
time to audition for unneeded new dancers.
Bill fast-talks his way into the building & demands an audition "your audience
will be wild about." Brown insists he's invested too much in the upcoming
show, & it's too late to take a chance on an amateur. Bill insists he's a pro,
having had a lucrative gig dancing on street corners. Bill then meets with the costume & stage design guys, finding their
work "copasetic," a word of slang Robinson personally popularized & possibly
even coined. They need collectively to be paid $2,500 -- so once more, out
come Bill Green's dice. Bill couldn't stay a successful producer, being
only a king for a day. So almost as soon as he's off the stage & again tossing
dice, Mr. Brown wins back his show. Which is only fair.
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"VANITIES":
This
is another nightclub performance film, with young Charles Keith as M.C. Before
he introduces the other acts, he confesses that he is an out - of - work actor
whose idol is Bette Davis. He does a masterful impersonation of her role in
"THE LETTER" in
which he first sounds remarkably like the actress, then even begins to look
like her. The next act is Joes Fred Portee, who sings. Then, Keith introduces
"Little Audrey" Armstrong, who demonstrates her remarkable muscle control and
persistence in a gyrating dance. For a finale, Ms. Portee comes back and
sings. 1946/BW $7.00
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"NATURAL BORN GAMBLER": The plot of this comedy is trivial, dealing with
a poker game which is raided by the local police. The participants, All-Black,
are hauled to court but all are released with the exception of Williams. While
in jail Williams does his famous routine of playing poker with himself.
1916/BW Silent/20min. Our story centers upon
the activities of a Negro fraternal organization, the Independent Order of
Calcimine Artists of America. [Inside joke: "calcimine" is whitewash, and yet
most of these black actors appear to have darkened their complexions with
blackface makeup.] The group meets in the back of a saloon. Their leader,
Brother Scott, is a lawyer who disapproves of gambling-- although, after
breaking up a poker game, he doesn't object to appropriating others' winnings.
Our protagonist is lodge member Bert Williams, described as a "walking
delegate," who is clearly in arrears with both the saloon's barkeep, Hostetter
Johnson, and with the lodge itself. Early on, he is compelled to remit the
dues he owes (three dollars), which he does reluctantly. [Some prints of the
film omit the next sequence: After leaving a meeting with his friend Limpy
Jones, who is handicapped with gout and must ride on Bert's shoulders, Bert
passes a graveyard where he overhears two chicken thieves splitting up their
takings, saying "One for you, an' one for me." He and Limpy are convinced that
they have overheard devils splitting up their souls, and flee in a panic; Bert
actually pushing the crippled man over in his haste to run away. Limpy makes
his way alone back to the saloon and tells the others about the frightening
experience. Bert, meanwhile, encounters the thieves on the road and pieces
together what really happened. He invites the thieves to accompany him back to
the saloon, where Limpy is made to look foolish. Then Bert and Limpy
appropriate the thieves' stolen chickens, and eject the men from their
company.] Bert attempts to win back his recently-paid three dollars from the
club's treasurer in a dice game, but Brother Scott interrupts and forces them
to depart-- meanwhile pocketing the money they left behind. After Brother
Scott exits, a sporty young man, Cicero Sampson, flashes a wad of bills he
apparently won gambling, up north. Bert, impressed, challenges Sampson to a
game of poker. A lookout is posted in front of the saloon. Bert wins Sampson's
bank roll and his pocket watch-- by cheating, with Limpy's assistance
unfortunately, just at his moment of triumph, cops bust the place and arrest
all the players. Brother Scott represents the group in court, and seems to
have a very friendly relationship with the judge. The judge orders that the
spoils of the game go to Brother Scott, as his fee. He orders Cicero Sampson
to leave town within three days, and sentences Bert to ten days in jail. In
jail, Bert dreams of a poker game he plays by himself, with phantom opponents.
He cuts the invisible deck and deals
$10.00 Bert
Williams (1874-1922) was the most popular black comedian of the ragtime era.
In 1915 when Biograph signed him up, he was given complete control over two
film projects, serving as his own writer, producer & director.
He was a great comic, whom W. C. Fields famously called, "The funniest man I
ever saw, & the saddest."
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OL MAN COTTON
Operatic
folk-blues is the best description of the powerful voice of George Dewey
Washington, who sings two songs in the one-reel soundie Ol' King Cotton
(1930). He was a singer, actor & comedian of the Harlem Renaissance. He
toured America from one coast to the other in Roaring Twenties as one of the
giants, first on the "chitlin circuit" but soon doing white vaudeville, widely
embraced by white audiences from Boston to Seattle. He became a star on
Broadway in the 1930s
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SYMPHONY IN BLACK: A
RHAPSODY OF NEGRO LIFE. 1935 Director: Fred Waller Symphony in Black: A Rhapsody
of Negro Life (1935) begins with the premise that Duke Ellington has two
weeks to complete his "Negro Moods" which are slated to debut at the end of
that time.
We see him in his small private studio hard at work at his piano, struggling
with the final touches for the titular symphony in four main parts. The
second movement's overall title is "A Triangle" in three sections, "Dance,"
"Jealousy," & "Blues," with featured solos from Barney Bigard on clarinet for
"Blues," & from trombonist Joe Nanton for both "Dance" & "Blues." The
last third of the second
part,
"Blues," lingers on that jealous woman cast to the ground, who is none other
than Billie Holiday, who begins singing, "When My Man Walked Out on Me."
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If you're looking for a titles not listed
on my website, please email your request to:
mailto:info@midnightramble.com
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Phyllis C. Benton, MSW
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PO Box 11522
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Portland, OR 97211-0522
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503.287.0319
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